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...Gordimer herself begs pardon, in this collection's first essay: nothing I write in such factual pieces will be as true as my fiction. What is appropriately important to her is emotional truth, words that somehow resonate inside the reader. Hemingway used to assure himself that if he could write one true sentence, he was on the right track: it is this kind of truth that is meaningful to the writer of fiction, truth to the spirit. The problem is, this is also the kind of truth that needs to be important to the writer of the kind of nonfiction...

Author: By Joshua Perry, CONTRIBUTING WRITER | Title: Nobel Winner Rests on Laurels | 12/17/1999 | See Source »

Surrounding this parasite of literature is a cast of characters as diverse in chronology as they are in personality. There's an angry and suicidal Ernest Hemingway who acts as Garnett's servant, the under-recognized and frustrated feminist author Djuna Barnes, the heroine-addicted mother of Eugene O'Neil, and the aforementioned Anas Nin, played with delightfully French self-absorption by Karen MacDonald. Not to mention the entire cast of characters from The Brothers Karamazov, with Alyosha Karamazov (played with effective, i.e. not annoying, wholesomeness by Sean Dugan) serving as Durang's Everyman character in this absurdist romp...

Author: By David Kornhaber, CRIMSON STAFF WRITER | Title: The Idiots' Guide to Literature | 12/17/1999 | See Source »

Anyone assembling a roster of artistic types who shaped the 20th century aesthetic could do worse than a team comprising Duke Ellington, Fred Astaire, Ernest Hemingway, Alfred Hitchcock and Noel Coward. Through some unlikely alignment of the planets, all five were born in the last eight months of 1899, and thus have all been celebrated in this centennial-sodden year...

Author: /time Magazine | Title: Sad About the Boy: Noel Coward | 12/13/1999 | See Source »

...Gordimer herself begs pardon, in this collections first essay: nothing I write in such factual pieces will be as true as my fiction. What is appropriately important to her is emotional truth, words that somehow resonate inside the reader. Hemingway used to assure himself that if he could write one true sentence, he was on the right track: it is this kind of truth that is meaningful to the writer of fiction, truth to the spirit. The problem is, this is also the kind of truth that needs to be important to the writer of the kind of nonfiction which...

Author: By Joshua Perry, | Title: Nobel Winner Rests on Laurels | 12/10/1999 | See Source »

...team has permeated popular culture more than the Yankees. "The Pride of the Yankees," "The Babe," "Bang the Drum Slowly" and "The Scout" all filled the silver screen with pinstripes, and "Damn Yankees" filled a Broadway marquee. And who is the intangible god, the symbol of ultimate excellence in Hemingway's "The Old Man and the Sea"? The Great DiMaggio. And what written line better sums up the passing of a generation than Paul Simon's "Where have you gone Joe DiMaggio, a nation turns its lonely eyes to you."? Simon was bemoaning the loss of heroes in America...

Author: /time Magazine | Title: A Yankee Fan's Notes | 10/29/1999 | See Source »

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