Word: hemingways
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Dates: during 1930-1939
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Luis Quintanilla, 39, muralist, etcher, humanist and Spanish Republican, held his first one-man show in the U. S. last week. Pierre Matisse was his sponsor, Ernest Hemingway and John Dos Passos his patrons and apologists. On the sober walls of the Matisse Gallery 39 of Quintanilla's etchings were lined up, all handsomely mounted and glassed. Critics, collectors, and ladies in long mink coats all hurried up to see them. But Luis Quintanilla was not excited. In Madrid behind the bars of the Central Prison he was fighting for his life...
Hulking Ernest Hemingway was in Key West dividing his attention between literature and marlin when a two-word cable arrived from Madrid. Inscrutable to a Spanish censor, it read LUIS HOOSEGOWED...
Mary Hoover, who had worked with Luis Quintanilla on some of his Madrid frescoes, brought a heavy package of etched zinc plates to the U. S. Author Hemingway paid for pulling a small edition of proofs, and Pierre Matisse was glad to give them a Manhattan showing. John Dos Passos wrote a short, able introduction to the catalog. Ernest Hemingway, still hot under his size 16 collar, pounded out a 1,500-word essay that described his friend's plight, his art, and formed a collector's item. Excerpt...
Portraits and Prayers, a collection of 58 pieces which date from 1909 to 1933, is pure Stein. A gallery of word-portraits of Stein friends and acquaintances, it is mostly concerned with literary and artistic figures: Cézanne, Matisse, Picasso, T.S. Eliot, Ernest Hemingway, Carl Van Vechten (to whom the book is dedicated), Sherwood Anderson, Jo Davidson, Edith Sitwell et al. Persevering readers may puzzle long to discover whether these portraits are flattering or otherwise; presumably they are as objective as Author Stein can make them. The reader who wins to p. 105 will discover a portrait...
Though the College of Critics last week continued to look down its collective nose at Author William Riley Burnett, readers-at-large continued to lend him their ears. Accused on the one hand of "commercializing " the Hemingway manner and hailed on the other as a story-teller who does not set himself up to be anything fancier, Author Burnett never goes behind the facts of what he has to tell, but his facts are telling. The Goodhues of Sinking Creek is only a long short story, but its rapid narrative covers as much ground as many a full-length novel...