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Word: hemingways (lookup in dictionary) (lookup stats)
Dates: during 1930-1939
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Usage:

...Earnest Hemingway: An American Byron"--thus does Clifton Fadiman title his latest article for the Nation. As he proceeds to support, the thesis implied in the title, his readers are introduced to a fairly new, and very interesting estimate of themselves. Due to the peculiar way in which he symbolizes the present generation, states Mr. Fadiman, there has sprung up about Homingway "a real contemporary here myth." The similarity between Byron and Hemingway, says the author, lies in the fact that they were both post-war men, and that "in the heart of both lies a tragic sense of defeat...

Author: NO WRITER ATTRIBUTED | Title: PULEEEZE. . . | 1/18/1933 | See Source »

...Farewell to Arms (Paramount) will disappoint only those pessimists who, hearing about the difficulties that cropped up during the adaptation of Author Hemingway's sad novel and remembering that it made a wretched play, expected it to be a classic botch. But the picture emerges as a compelling and beautifully imagined piece of work, brilliantly directed by Frank Borzage, acted to perfection by Gary Cooper - whose numb mannerisms are pre cisely appropriate to his role - and by Helen Hayes, whose performance is certainly as good as her work in The Sin of Madelon Claudet which the cinema Academy last...

Author: /time Magazine | Title: Cinema: The New Pictures: Dec. 19, 1932 | 12/19/1932 | See Source »

...more truth in it. A conclusion in which Catherine Barkley does not die in childbirth was made but will not be used unless cinemaddicts resent the present one. Informed by Paramount that two prints of A Farewell to Arms could be sent to Piggott, Ark. for his inspection. Author Hemingway last week replied: ''Use your imagination as to where to put the two prints ... of Borzage version of A Farewell to Arms but do not send her." Central Park (First National). Written by a New York Sun theatrical reporter, Ward Morehouse. this picture exhibits Manhattan's largest...

Author: /time Magazine | Title: Cinema: The New Pictures: Dec. 19, 1932 | 12/19/1932 | See Source »

...AMERICAN JITTERS-Edmund Wilson-Scribner ($2.50). EXPRESSION IN AMERICA - Ludwig Lewisohn-Harper ($4). DEATH IN THE AFTERNOON-Ernest Hemingway-Scribner ($3.50). FOCH- Capt. B. H. Liddell Hart- Little, Brown ($4). GEORGE GERSHWIN'S SONGBOOK - illustrated by Alajalov - Simon & ($5)- GROVER CLEVELAND - Allan Nevins Dodd, Mead ($5). HISTORY OF THE RUSSIAN REVOLUTION, Vol. I. - Leon Trotsky - Simon & Schuster ($4). INTERPRETATIONS - Walter Lippmann Macmillan ($2.50). JEAN-JACQUES ROUSSEAU - Matthew Josephson - Harcourt, Brace ($5). THE JOURNAL OF ARNOLD BENNETT Vols. I & II- Viking ($4 each). THE LETTERS OF D. H. LAWRENCE edited by Aldous Huxley - Viking ($5). LIVES - Gustav Eckstein - Harper...

Author: /time Magazine | Title: Books: NON-FICTION | 12/19/1932 | See Source »

Industry balked at the chill fact that industry was over-expanded. Humanity's material desires, industry argued, are susceptible of indefinite expansion. Hence, production may be indefinitely expanded. High pressure salesmanship (for which Hemingway has popularized an eloquent word), distorted advertising, and installment-plan buying were industry's biggest bricks in its primrose path to expansion. Good intentions...

Author: NO WRITER ATTRIBUTED | Title: The Press | 11/30/1932 | See Source »

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