Word: hemingways
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...probably best remembered for the photographs he took of his friends, including Joyce, Hemingway and Picasso. Perpetual Motif: The Art of Man Ray (Abbeville; 348 pages; $55) reproduces these pictures, of course, but much else as well. Ray flourished in Paris during the 1920s and '30s as a painter and a maker of often whimsical objects, such as a flatiron with a row of tacks attached. Photography was almost an afterthought, a means of recording his sometimes perishable constructions. But Ray's camera also captured an era -- when art belonged to Dada -- that this book scrupulously assembles and preserves...
...hear in the rainy voice-overs of our mind. Few would suggest that Chandler is a more significant literary figure than Eliot. But quality and influence are mysteriously related, and Chandler has inspired more poses and more parodies, perhaps, than any other American writer of the century save Hemingway. Eliot merely articulated the deepest spiritual and emotional issues of the times; Chandler put them on the sidewalk...
...Hyatt Regency in Waikoloa on the main island of Hawaii offers luxury accommodations for $195 to $375 a night. For $325 extra, guests can train for a day under a professional driver, then suit up for a mock Grand Prix auto race along the coastline. Those who seek Hemingway-style adventures can hunt wild Russian boar and Longhorn bull on an island safari...
Ailes comes across as the Ernest Hemingway of consultants. Swaggering and corpulent (5 ft. 10 in. and 243 lbs.), with a white goatee, he plays the woolly renegade to what he calls "the coat-and-tie boys" who surround Bush. He is gargantuan in his appetites -- for food, amusement, combat and attention. In a fight with two leather-jacket types in a Houston hotel lobby in 1984, he broke one man's wrist and tossed the other man into the lobby fountain. Just last week, annoyed that no one had repaired a bowed table in Bush campaign offices, Ailes walked...
...first, Carver's plain style sounds a lot like Hemingway in his short stories. (Carver has written poetry but has never written a novel.) There's a similar use of ellipsis. "A Small, Good Thing" has the seductively simple ring of Hemingway titles like "The End of Something" and "A Clean, Well-Lighted Place." And the men in Where I'm Calling From hunt, fish, drink and brawl. But although Hemingway's men adopt a tough exterior in order to hide when life or women get them down, Carver's men remain vulnerable, as husbands or fathers, and risk compassion...