Word: hemingways
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...FOSSE FILM is a little like a steel fragmentation grenade shiny, precise, and efficient--but not something one wants to get too close to. Some say that Fosse's new film Star 80 is merely a violent update of A Star is Born: pretty, naive young Dorothy Stratten (Mariel Hemingway) is discovered working in a Vancouver Dairy Queen by a small-time promoter and pimp, Paul Snider (Eric Roberts). He wines and dines her, wins her away from her mother and younger sister--and gets her into the centerfold of Playboy magazine. Dorothy marries Paul, becomes Playmate of the Year...
...crumble into self-loathing, he even watches himself throw up in the mirror, sneering at his reflection over a predatory mustache. Dorothy might have been able to save some men like this: behind the counter of the Dairy Queen she was just chunky, unaffected, and lovable. But though Mariel Hemingway plays the familiar Mariel Hemingway role very well (just little of me, the naive young movie star). Fosse shows you Dorothy as Snider sees her: the pin-up fantasy with chemically enhanced breasts. When Dorothy is in the room. Saider looks through the camera to see her hotter: when...
...force and originality in Fosse's recounting of a true story that has attracted much journalistic attention and has already been done as a TV movie (Death of a Centerfold) lie in the way he defeats one's conventional expectations of his material. Mariel Hemingway's Dorothy is not the tragic tart that custom usually dictates in works of this kind. In an arrestingly straightforward, naturalistic performance, Hemingway suggests neither portents of doom nor a sense that she is self-destructively abandoning herself to a media fairy tale from which the only possible awakening is a rude...
...post-Hemingway adventurer like Russel Price (Nick Nolte) does not, of course, permit himself to articulate such aspiring thoughts. With his thick voice, his beefy former jock's build and his wary-passive manner, Nolte plays Price (very authentically) as a man who is all reflexes of the single-lens variety. The big picture in Nicaragua, as the Somoza regime yields to the Sandinistas in 1979, means little to Price, who is portrayed as being on assignment for TIME; he is more concerned with the succession of little moneymakers he must try to capture as they flee past...
Some authors inescapably suggest animals: Hemingway is a lion, Tolstoy a bear, Colette a cat. Anthologist Stephen Brook is a crow. For The Oxford Book of Dreams he has ranged over four millenniums and most of the dry surfaces of the globe in search of recorded visions. The result is a nest of glittering curiosities, some of rare value, others plucked from the dustbin of history, where they belonged. Moreover, although the collection offers hundreds of entries, it also has inexcusable gaps. The dreams of Pharaoh's servants are here, interpreted by Joseph, but they represent one-half...