Word: hendrix
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...musical allusions are literary: Hoyt Axton's "The Pusher" after they make their connection. Steppenwolf's "Born to Be Wild" as they hit the road on their bikes. Billy and Wyatt travel through these pulsating songs the way they do the countryside-the Band, the Byrds, Dylan, Jimi Hendrix et al are employed as a musical landscape, part of the backdrop of the youth subculture, but hardly integral or necessary. Hopper doesn't explore or celebrate rock the way that Peter Whitchead did with the Pink Floyd in Tonight Let's All Make Love in London or as Robert Nelson...
...access roads, which had become ribbonlike parking lots choked with stalled cars. Had the festival lasted much longer, as many as one million youths might have made the pilgrimage to Bethel. The lure of the festival was an all-star cast of top rock artists, including Janis Joplin, Jimi Hendrix and the Jefferson Airplane. But the good vibrations of good groups turned out to be the least of it. What the youth of America?and their observing elders?saw at Bethel was the potential power of a generation that in countless disturbing ways has rejected the traditional values and goals...
...expression of opinion or ideas but the spirit of community created?the good vibrations or the bad ones, the young in touch with themselves and aware. If Bethel is any proof, this kind of expressive happening will become even more important. "This was only the beginning," warns Jimi Hendrix. "The only way for kids to make the older generation understand is through mass gatherings like Bethel. And the kids are not going to be in the mud all the time. From here they will start to build and change things. The whole world needs a big wash, a big scrub...
...DICK CAVETT SHOW (ABC, 10-11 p.m.). The sesquipedalian savant of the talk shows takes on Jimi Hendrix and The Jefferson Airplane...
...musical allusions are literary: Hoyt Axton's "The Pusher" after they make their connection, Steppenwolf's "Born to Be Wild" as they hit the road on their bikes. Billy and Wyatt travel through these pulsating songs the way they do the countryside--the Band, the Byrds, Dylan, Jimi Hendrix et al are employed as a musical landscape, part of the backdrop of the youth subculture, but hardly integral or necessary. Hopper doesn't explore or celebrate rock the way that Peter Whitehead did with the Pink Floyd in Tonight Let's All Make Love in London or as Robert Nelson...