Word: henri
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Dates: during 2000-2009
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...seize the moment. Last week, Manhattan's Museum of Modern Art put on a show of pictures?each made in a wink?which brought back moments from the past decade more vividly than memory can. They were candid camera shots snapped by France's most distinguished documentary photographer, Henri Cartier-Bresson. Unlike artier cameramen, Cartier-Bresson has never felt the need of a studio or a darkroom. He still reloads his Leica under the bed, washes his prints in the bathtub. 'Shooting a picture,' says he, 'is like shooting rabbit or partridge. Before shooting you think, you contemplate, you look...
...Cartier-Bresson's Legacy Thanks to James Nachtwey for his Appreciation of fellow photographer Henri Cartier-Bresson [Aug. 16]. Nachtwey's descriptions of Cartier-Bresson's artful shots made me aware of all the details that a single photo, like the one of Spanish children playing on a street, can encompass. About a year ago, I started looking at photographs late at night before going to sleep, because I wanted to learn about photography and absorb the information that can be uniquely documented in a picture. This way of learning by contemplating photographs, just as Nachtwey did with Cartier-Bresson...
...Seizing The Moment As we noted in the Appreciation of Henri Cartier-Bresson [Aug. 16], he "waited for the decisive moment?and captured it." TIME first reported on the celebrated French photographer when an exhibition of his work opened in New York City almost 60 years...
...want to hear this, but I have always considered you to be part of the Anger-Industrial Complex. I just never had a name for it before. Randy Daughenbaugh Rapid City, South Dakota, U.S. Cartier-Bresson's Legacy Thanks to James Nachtwey for his appreciation of fellow photographer Henri Cartier-Bresson [Aug. 16]. Nachtwey's descriptions of Cartier-Bresson's artful shots made me aware of all the details that a single photo, like the one of Spanish children playing on a street, can encompass. About a year ago, I started looking at photographs late at night before going...
...gallery owner Julien Levy hung the black-and-white images of three unsung photographers on his walls, and all three went on to make huge contributions to the 20th century's image bank. The exhibition, entitled Documentary and Anti-graphic Photographs, showcased the early work of Manuel Alvarez Bravo, Henri Cartier-Bresson and Walker Evans. This week, just a month after the death of Cartier-Bresson, the longest-surviving member of the trio, the first-ever recreation of Levy's exhibition opens at the Fondation Henri Cartier-Bresson in Paris. Although the three legends had distinct styles, each trained...