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...seize the moment. Last week, Manhattan's Museum of Modern Art put on a show of pictures?each made in a wink?which brought back moments from the past decade more vividly than memory can. They were candid camera shots snapped by France's most distinguished documentary photographer, Henri Cartier-Bresson. Unlike artier cameramen, Cartier-Bresson has never felt the need of a studio or a darkroom. He still reloads his Leica under the bed, washes his prints in the bathtub. 'Shooting a picture,' says he, 'is like shooting rabbit or partridge. Before shooting you think, you contemplate, you look...

Author: /time Magazine | Title: Letters | 9/6/2004 | See Source »

...Cartier-Bresson's Legacy Thanks to James Nachtwey for his Appreciation of fellow photographer Henri Cartier-Bresson [Aug. 16]. Nachtwey's descriptions of Cartier-Bresson's artful shots made me aware of all the details that a single photo, like the one of Spanish children playing on a street, can encompass. About a year ago, I started looking at photographs late at night before going to sleep, because I wanted to learn about photography and absorb the information that can be uniquely documented in a picture. This way of learning by contemplating photographs, just as Nachtwey did with Cartier-Bresson...

Author: /time Magazine | Title: Letters | 9/6/2004 | See Source »

...Seizing The Moment As we noted in the Appreciation of Henri Cartier-Bresson [Aug. 16], he "waited for the decisive moment?and captured it." TIME first reported on the celebrated French photographer when an exhibition of his work opened in New York City almost 60 years...

Author: /time Magazine | Title: Letters | 9/6/2004 | See Source »

...want to hear this, but I have always considered you to be part of the Anger-Industrial Complex. I just never had a name for it before. Randy Daughenbaugh Rapid City, South Dakota, U.S. Cartier-Bresson's Legacy Thanks to James Nachtwey for his appreciation of fellow photographer Henri Cartier-Bresson [Aug. 16]. Nachtwey's descriptions of Cartier-Bresson's artful shots made me aware of all the details that a single photo, like the one of Spanish children playing on a street, can encompass. About a year ago, I started looking at photographs late at night before going...

Author: /time Magazine | Title: Letters | 9/5/2004 | See Source »

...gallery owner Julien Levy hung the black-and-white images of three unsung photographers on his walls, and all three went on to make huge contributions to the 20th century's image bank. The exhibition, entitled Documentary and Anti-graphic Photographs, showcased the early work of Manuel Alvarez Bravo, Henri Cartier-Bresson and Walker Evans. This week, just a month after the death of Cartier-Bresson, the longest-surviving member of the trio, the first-ever recreation of Levy's exhibition opens at the Fondation Henri Cartier-Bresson in Paris. Although the three legends had distinct styles, each trained...

Author: /time Magazine | Title: Capturing Genius | 9/2/2004 | See Source »

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