Search Details

Word: henri (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...only an American one. As a young man, he worked with Gustave Courbet. He knew, and was respected by, some of the finest artists in Paris: Edgar Degas, Edouard Manet. He appears (with Baudelaire, Manet and other French luminaries) in Henri Fantin-Latour's group portrait of the rising art stars of 1864, Homage to Delacroix. "This American is a great artist, and the only one of whom America can be justly proud," said Camille Pissarro. And Marcel Proust turned part of his name, unpronounceable by the French, into an anagram: he became the painter Elstir in A la Recherche...

Author: /time Magazine | Title: ART: WHISTLER UNVEILED | 7/24/1995 | See Source »

Hopper's realism had nothing to do with the prevalent realisms of the 1930s and '40s in American painting. That is to say, it had no persuasive content; it was entirely free from ideology, left or right. He had studied painting with Robert Henri, whose politics were romantically anarchist. But none of the political ferment of pre-World War I New York rubbed off on him, and none shows in his work. The only painting in this show that could be guessed to show an industrial worker is Pennsylvania Coal Town, 1947; and the bald man is posed like Millet...

Author: /time Magazine | Title: ART: UNDER THE CRACK OF REALITY | 7/17/1995 | See Source »

...positivist art about modern life based on classical principles. A whole range of artists, from Piero della Francesca to Manet, are implicit in his image in praise of skilled labor, The Constructors, 1950. Perhaps the show's most moving and nuanced postwar tribute to sculpture's classical past is Henri Laurens' Morning, 1944. A bronze woman awakening: it ought to be an idyllic image. But it is not, because the massive post-Cubist forms of her limbs suggest stress, a heavy, invisible load to which the energy locked in the figure responds...

Author: /time Magazine | Title: ART: RISING FROM THE RUINS | 6/26/1995 | See Source »

...thing that comes back just about every year," says Professor of Fine Arts Henri T. Zerner...

Author: By Sarah J. Schaffer, | Title: Preregistration: Administrative Boon or Burden? | 5/22/1995 | See Source »

...Henri Cole: Most of what I know about creative writing programs comes from having been an MFA student at Columbia. It was there I grew up as a writer. From that experience as a student, I have to say I believe that a lot can be gained, and if you're a real writer, you can't be blighted by even the most negative classroom environment. I encourage my students to apply to creative writing programs, and to wait a year or two if possible--the older you are when you go, the more you get in return...

Author: By Adam Kirsch, | Title: Henri Cole | 5/12/1995 | See Source »

Previous | 48 | 49 | 50 | 51 | 52 | 53 | 54 | 55 | 56 | 57 | 58 | 59 | 60 | 61 | 62 | 63 | 64 | 65 | 66 | 67 | 68 | Next