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Bryson said he will teach the course again next year with Professor of Fine Arts Henri T. Zerner. He said he is likely to include the Mercer article in the sourcebook again...

Author: By Sarah E. Scrogin, | Title: Omission Of Photos Raises Questions | 12/14/1995 | See Source »

...depends on what Henri and I cobble together," Bryson said this week. "But I'm quite keen for the Kobena Mercer article...

Author: By Sarah E. Scrogin, | Title: Omission Of Photos Raises Questions | 12/14/1995 | See Source »

...instead is divide Valjean in two, a father and son (both played by a wonderfully battered Jean-Paul Belmondo, whose son Paul plays the character in a transitional passage). Then he provides him with adventures that analogize, rather than slavishly imitate, those of his literary model. This figure, called Henri Fortin, is throughout aware of his resemblance to Hugo's original. He sees movie versions of the story, and people keep telling him that his physical strength, moral fortitude and frequent bad luck remind them of Valjean. He wouldn't know. He's illiterate, a retired boxing champion who drives...

Author: /time Magazine | Title: CINEMA: ONCE MORE WITH FEELING | 11/6/1995 | See Source »

...party Ensor, without the bilious satire; sometimes it's Rus sian ballet. There are traces of Elie Nadelman, Odilon Redon, Watteau, Hieronymus Bosch and an over-the-top capriccio of swimmers in some celestial spa titled Natatorium Undine, 1927. Her painting of a spring sale at Henri Bendel's, with ladies squabbling over the merchandise like angry hummingbirds, resembles a Pompeian grotesque translated into the 1920s. She liked caricature too. In the Cathedrals, the series of New York historical-satirical-puzzle pictures that she considered her crowning works, she uses cartoonish labels to sew the message together. In Cathedrals...

Author: /time Magazine | Title: ART: CAMPING UNDER GLASS | 9/18/1995 | See Source »

...program continued with Henri Dutilleux's Symphony No. 2 from 1959, "Le Double," for large orchestra and chamber orchestra. Here was a symphony embodying many of the most favored textures and planar forms in this decade's classical music. When one considers that Dutilleux, who walked onstage to accept an ovation after the performance, was once a contemporary of Shostakovich, the character of his work becomes all the more remarkable...

Author: By Daniel Altman, | Title: Previn and Ax Merge Insight, Resolve | 8/15/1995 | See Source »

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