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...symphonies are free from the national mannerisms that mark European orchestras. And while European players tend to grow phlegmatic in the security of their state-subsidized jobs, the self-supporting arrangement in the U.S. engenders a competition that compels each musician to produce his best. Says Concert Violinist Henryk Szeryng: "I always find that my best accompaniments in the U.S. are in February and March, the time when contracts come up for renewal...

Author: /time Magazine | Title: Orchestras: The Elite Eleven | 4/8/1966 | See Source »

...almost too much for one Pole in the audience. He rushed backstage, burst into Rubinstein's dressing room, and began hugging and kissing the startled pianist, exclaiming in Polish: "That was the greatest thing I ever heard!" When the kissing stopped, he introduced himself as Henryk Szeryng, a 32-year-old music teacher at the National University of Mexico. Intrigued at finding a countryman so far from home, Rubinstein inquired: "Do you play at all?" Yes, his compatriot admitted, "I love to play the violin." Rubinstein forthwith invited the violinist to his hotel room for an impromptu audition. Recalls...

Author: /time Magazine | Title: Violinists: Cultural Ambassador | 9/3/1965 | See Source »

Known as the Henryk Tomaszewski troupe, after its director-producer and leading actor, the ten-year-old company is actually considered avant-garde in Poland-though it is ideologically safe enough to be permitted extensive tours outside the Communist bloc. Despite its considerable success in other European countries, the fundamental trouble, for U.S. theatergoers, is that Poland is just too too off-Broadway. At any rate, the program is saturated with all the fashionably despairing notions that stir tempests in the espresso cups of Greenwich Village coffeehouses. The angst comes in all flavors and includes Everyman's thwarted desire...

Author: /time Magazine | Title: Pantomime: Angst Merchants in BVDs | 1/15/1965 | See Source »

...last week Composer Lees heard his notes turned to music. Violinist Henryk Szeryng and the Boston Symphony Orchestra performed Lees's Violin Concerto in two New York concerts, and its excellence, together with the skimpy monetary rewards he can expect, make a very good case for giving Lees and other gifted composers like him a never-ending grant to keep them going. In an age when almost no composers are turning their talents to the delicate mysteries of the violin concerto, Lees has written a small masterpiece. If all goes well and it is played a half-dozen times...

Author: /time Magazine | Title: Music: Out of the Fashion | 3/1/1963 | See Source »

...CONCERT. The fifth in the Boston Symphony Orchestra's yearly forays into Cambridge. The program is scheduled to include Darius Milhaud's La Creation du monde, Schumann's Violin Concerto in d (soloist: Henryk Szeryng), and Cesar Franck's Symphony in d. Sanders Theatre; 8:30 P.M. Tickets at Symphony Hall, or at the door...

Author: NO WRITER ATTRIBUTED | Title: CALENDAR | 3/10/1961 | See Source »

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