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Schubert: Trios, Op. 99 in B-Flat and 100 in E-Flat (Henryk Szeryng, violin; Pierre Fournier, cello; Artur Rubinstein, piano; RCA; 2 LPs; $16.98). Corraling a collection of virtuosos to record chamber music is not always a good idea. Having spent years alone in the spotlight, too many of them lack the knack of bobbing and weaving in rhythm with other minds and hearts. Szeryng, Fournier and Rubinstein rank high among the successful exceptions to this individualistic rule. In these trios, each player retains his own particular musical fist yet manages to fit it into his neighbor...

Author: /time Magazine | Title: Music: Classical Records: Pick of the Pack | 6/23/1975 | See Source »

...Milan under the care of the violinist's heirs. Other violinists have been trying to get at them ever since. By last year, all the concertos except the third had been released. It was still held by the Paganini family. Last Christmas, Philips Records, aided by Violinist Henryk Szeryng, finally obtained it after ten years of delicate negotiations...

Author: /time Magazine | Title: Music: Lucifericm Legacy | 11/29/1971 | See Source »

TOURAINE FESTIVAL (June 28-July 5), Meslay, central France, held in a barn built by monks in 1220, has scheduled performances by Pianists Sviatoslav Richter and Arturo Benedetti Michelangeli, Violinist Henryk Szeryng, Soprano Evelyn Lear and her husband, Baritone Thomas Stewart...

Author: /time Magazine | Title: Television: Jun. 21, 1968 | 6/21/1968 | See Source »

...streets, crowded with 18th century Poles of every class, that the city's postwar reconstructionists turned for aid in rebuilding dozens of bombed-out structures. "Bellotto's use of the camera obscura made him able to achieve complete precision of proportions," points out Ministry of Culture Engineer Henryk Wasowicz. "The technique yielded pictures as precise as any technical drawing...

Author: /time Magazine | Title: Painting: The Vagabond Vedutista | 9/29/1967 | See Source »

...Amsterdam, who is forever dashing off to the concert hall on emergency calls. "I usually discover there is nothing wrong," he says, "except with the artists' nerves. I tell them that their violin is fine and then they are happy." So, ultimately, are the audiences, for as Violinist Henryk Szeryng says, the miracle of "the fragile little box is that we can produce sounds that penetrate people's hearts and provoke tears just by drawing horsehair over sheep guts...

Author: /time Magazine | Title: Instruments: The Little Wooden Song Box | 12/30/1966 | See Source »

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