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...Henri Rousseau show at New York City's Museum of Modern Art (through June 4) alters one's view of his work, as retrospectives are meant to--but downward. It is, however, a delight to visit. One could write a little dictionary of received ideas about this engaging "primitive." It would begin with his nickname, the Douanier. (He was not, as MOMA's excellent catalog stresses, a customs inspector, but a much lowlier form of bureaucratic life, a gabelou, or toll collector.) The dictionary would go through a whole list of legendary things that Rousseau...

Author: /time Magazine | Title: Art: Master of the Green Machine Moma's | 3/25/1985 | See Source »

Interracial, intercultural sex is given for Sarah, who is bent on defying the respectable expectations of her family. But even in Paris, when she lives with a Frenchman, Henri, and his two friends, Sarah is reminded of her roots in an ugly scene. Henri calls her "notre Negresse pasteurisee" and describes her background as a symbolic rape of an Irishwoman by a big, Black buck. In his insults, Sarah decides, Henri has summarized the heritage she must inevitably face by returning to America...

Author: By Natine Pinede, | Title: Taking Sides | 3/13/1985 | See Source »

...city's role in modern diplomacy began with the Battle of Solferino in Italy in 1859. A Genevan traveler, Henri Dunant, was so appalled by the spectacle of the wounded French and Austrian soldiers left to die on the battlefield that he wrote an indignant book titled Un Souvenir de Solferino. From that book came the Geneva Convention of 1864, in which 16 nations agreed for the first time on humane treatment for the wounded. From Dunant's protest also came the creation of the International Red Cross...

Author: /time Magazine | Title: Meeting Place of the World | 3/11/1985 | See Source »

There are thundering echoes of the swinging '60s in Sprouse's work-a lime-green sequined dress with a halter collar could have been filched from Twiggy's attic-but his clothes, as Buyer Jean Rosenberg of Henri Bendel in New York City points out, "are not '60s redos. Those clothes were skimpier and skinnier." Sprouse's lines tend to be a little more careful and deliberate, even sculpted, and a lot of his wizardry comes in combinations, like throwing a man-size coat over a mini. Says Pat Henderson of Bergdorf Goodman...

Author: /time Magazine | Title: Living: The New Bad Boys of Fashion | 10/29/1984 | See Source »

...care. "With my hands," he recalls, "I made a breach in the thick curtain of asparagus ferns that tumbled down from the top of the wardrobe and floated like puffs of smoke between the floor and the ceiling." There, amid the old green plants that recall a painting by Henri Rousseau, he reflects upon the failures of religion and revolt. Fortunately for the writer of these bitter meditations, his current fiction has proved more promising than his past careers...

Author: /time Magazine | Title: Books: Conflagrations | 9/17/1984 | See Source »

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