Word: henrys
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...dwarfish cripple of exalted birth, absinthe-sodden and dead at 37, Henri de Toulouse-Lautrec was perhaps the most spectacular peintre maudit of the late 19th century: a doomed dog of modernism, fit for Hollywood. No reputation can quite survive a movie like Moulin Rouge, and ever since its release in 1953 the popular image of Toulouse-Lautrec has been shaped by the sight of Jose Ferrer, legs bound, peering with lugubriously feigned interest up at the boiler-plated buttocks of Zsa Zsa Gabor. Thus Toulouse-Lautrec became one of the few artists most everyone has heard of, a guarantee...
...curious that my friend Henri Cartier-Bresson should assail my friend Ansel Adams [Sept. 3] for "doing pictures of rocks" instead of being socially committed while "the world is falling to pieces." Except for a couple of chilling end-of-the-war shots of Nazi collaborators being interrogated in his homeland, and poignant images of quilted Chinese peasants playing mah-jongg during the fall/liberation of Nationalist Peking, not a single Cartier-Bresson photograph comes to mind about any of the world's miseries covered by other, often less gifted but more involved photographers...
...Henri René Pacific Grove, Calif...
Lighting up a cheroot and pouring her self something cold, she eases her large bulk into a chair and begins to talk about herself and her friends: Pablo and Ernest, Scott and Henri. Both Henris, in fact, Matisse and Rousseau. Quickly, magically, the audience is gathered into her net of words and realizes what it must have been like to sit opposite Gertrude Stein in her Paris apartment on a stormy day in 1938, when this conversation is supposed to have taken place...
...every kind: advertising photography, industrial brochures and journalistic work for magazines like FORTUNE and LIFE. His letters to Stieglitz were full of scorn for his commercial patrons. But in the meantime he was earning, among other colleagues, a reputation as the least socially committed of serious American photographers. As Henri Cartier-Bresson once remarked, "The world is falling to pieces?and Weston and Adams are doing pictures of rocks!" Adams refused to deal with the standard subjects of post-Depression America, the breadlines, Okies, rallies and bums. When he photographed a Japanese American internment camp in California...