Search Details

Word: hentoff (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...Columbia recording studio, we can only look back through seven albums (The Greatest Hits of ... doesn't count) which took him from the corduroy Huck Finn of "Bob Dylan" to the out-of-focus kaleidoscope poet of "Blonde on Blonde." In the liner notes to that first album Nat Hentoff blessed him as one of "the precipitously emergent singers of folk songs in the continuing renascence of that self-assertive tradition." Self-deceptive would be more accurate. Dylan was just another work shirt and guitar buried under hyperbolic interpretation of stock songs ("House of the Rising Sun," "Freight Train Blues...

Author: By John D. Reed, | Title: Bob Dylan | 11/3/1967 | See Source »

...Sport (Atheneum) by Don Asher, 40, might be called a bop novel. Written by a man who plays funky piano at the Mark Hopkins in San Francisco, the book tells a sprightly story about a cat who plays piano somewhere else in town. Call the Keeper (Viking) by Nat Hentoff, 41, a man-about-Manhattan who writes voluminously about jazz, race and Greenwich Village, is an ingenious pop thriller about jazz, race and Greenwich Village. The main menace is a Negro intellectual who hangs out with jazzbos and cuts up his victim on Bleecker Street...

Author: /time Magazine | Title: Books: The First Novelists: Skilled, Satirical, Searching | 8/12/1966 | See Source »

...Hentoff called most jazz critics "amateurish" and "incompetent." "It's an easy cop-out for a jazzman to say a critic doesn't know what's he doing, because he's right...

Author: NO WRITER ATTRIBUTED | Title: Opens Quincy-Holmes Festival | 3/24/1961 | See Source »

...relaxation, said Hentoff, "I listen to chamber music at home...

Author: NO WRITER ATTRIBUTED | Title: Opens Quincy-Holmes Festival | 3/24/1961 | See Source »

...most interesting aspects of the jazzman's self-consciousness, Hentoff stated, was that apparently "the bulk of jazz repertoire is not going to be variations and improvisations of Jerome Kern or George Gershwin, but rather an indigenous set of jazz compositions...

Author: NO WRITER ATTRIBUTED | Title: Opens Quincy-Holmes Festival | 3/24/1961 | See Source »

Previous | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | Next