Word: hepburn
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Dates: during 1970-1979
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Woman of the Year. Early in the movie, Katharine Hepburn raises her skirt above her knee and shows her long, long leg, enough to drive sane men crazy. Her beauty hit the transcendent point in this movie. Before she had been coltish and jagged, but with Women of the Year she entered a new class which she shares with no one. (When I think of her, I quell.) This was the first of her movies with Spencer Tracy. Their later works were wittier and smoother, but nowhere did the chemistry match the sexiness of this first picture which was made...
Kong is a tough interview, reports Los Angeles Correspondent Leo Janos. "In fact, he makes some legendary tough ones that I've encountered, like Marlon Brando and Katharine Hepburn, seem easy...
...That man doesn't look like me at all!" snapped Katharine Hepburn, 66, dismissing her double from the sets of Olly Olly Oxen Free. A family-style adventure story in which she plays an eccentric lady junk dealer, the film has her working with Movie Novices Kevin Mc-Kenzie and Dennis Dimster, both eleven, an English sheep dog named Obie and a 70-ft. gas-filled balloon. Miffed by the idea of a male stand-in for the action scenes, she has also been doing her own acrobatics, which have included dangling 100 ft. above ground from the balloon...
Those are a few of the best moments contained in the Life Special Report on "Remarkable American Women, 1776-1976." The issue anthologizes photographs of this country's most prominent women, ranging from Susan B.Anthony to Ma Barker, Harriet Beecher Stowe, Calamity Jane, Katharine Hepburn and Mae West. Such an endeavor would seem guaranteed of success, but somehow this issue of Life manages to miss its mark. Too many "remarkable" women have been left out, and those included suffer from the four inches of idiotic copy allotted to each entry...
...boulevardier, part made-in-U.S.A. naïf. Kelly, 63 and still able to dance in and out of rain puddles better than anyone else ony earth, stages these hoof-and-croon sessions with roughhouse smoothness. Among the assorted clips are mini-homages to Frank Sinatra and Tracy-Hepburn. There are a few surprises too. The best is a glimpse of Kiss Me, Kate (1953), featuring Bob Fosse, years before he became a director or even a choreographer, dancing with sinewy grace...