Word: hepburn
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Dates: during 1990-1999
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...danced together in 1933's Flying Down to Rio. Before the decade was over, Ginger Rogers and Fred Astaire had become the most famous pair of dancers that would ever cut their way across a high-gloss floor or up a spiral staircase. In the memorable words of Katharine Hepburn, the pairing gave him sex and her class-yet Rogers' own singular combination of pathos and spunk would make itself evident in non-Astaire efforts like 1937's Stage Door. In the years following the screen couple's parting of the ways in 1939, she scored such triumphs...
...knew Katharine Hepburn help the wisdom of the world when she said that men and women should never live together, but simply visit occasionally...
...film's multiple-location, multiple-plot, multiple-time evokes Katherine Hepburn in the classic "Two for the Road," but is all the rage with contemporary young directors. Chelsom's cinematography works through "Funny Bones" with far more subtlety than current darling Quentin Tarintino has ever mustered, and with far less pretension...
...chAteau near Chartres and gardens on a grand scale. He makes the rounds of his clients' weddings and christenings, for they are friends too. These women are concerned with details most people have not dreamt of: the sleeve, the lace, the length of the train. One trait he and Hepburn had in common was their intense concentration on perfection. They could learn more from the mirror than common eyesight could perceive...
...some nostalgia for the great days. Of Hepburn he says, "She gave the most to fashion because of her beauty and personality." It amuses him that now both young girls and mothers of brides-to-be ask him to create a gown that will make them look like Hepburn. His eye strays to his studio, and it is as if he sees her there, "that marvelous face and those strong little shoulders...