Word: hepburn
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...plays tonight with Letter From an Unknown Woman with Joan Fontaine and Louis Jordan. and starting Sunday, Asquith's version of Pygmallon, with Leslie Howard playing Higgins young and tough-as-nails, which sometimes works well. Wendy hiller's Eliza Doolittle is absolutely amazing. Playing with arguably Katherine Hepburn's best work, Summertime, seldom shown. When Hepburn talked to Cavett in those interviews, Summertime was the film she remembered best...
Radcliffe took Caroline Kennedy this year, but turned down kin of Katherine Hepburn. Harvard also turned a cold shoulder to the lights of show biz when it turned down Gregory Peck's son. Peck, following in a long line of disappointed fathers, called the admissions office to find out why. "My answer to these people," Reardon said, "is this is a fallible committee. We're not like the Pope. It could be wrong, but this is the decision of the committee...
...less walls and chill dampness, this student becomes lost in visions of refrigerators crammed with roast beef and coke, cupboards overflowing with Oreo cookies and cinnamon buns, trays filled with chocolate candies and salted peanuts (and perhaps marmalade candies if it's Passover). A late night movie starring Katherine Hepburn and Spencer Tracy is on the living room television as the student fixes himself a salami and cheese sandwich with a pickle on the side (Mom and Dad have gone to sleep an hour ago). A high school friend stops by to smoke cigarettes and reminisce about old escapades. Vacation...
...formal dances, one race course, a plethora of white Rolls Royces and the Lord and Taylor Ladies Room. Eventually everyone ends up with the right mate and lives happily ever after. The genre is basically Fred Astaire Ginger Rogers, with a few trademarks of Gene Kelly and Katharine Hepburn thrown...
...does seem improbable. One suspects from the beginning of LOVE AMONG THE RUINS (ABC, Thursday, March 5, 9 p.m. E.D.T.) that Hepburn's amnesia is a ploy, that Writer James Costigan will find a way for old love to conquer all. But who cares? His nostalgic Edwardian romance is just a charming conceit designed to bring Hepburn, 65, and Olivier, 67, together. The director is Veteran George Cukor, 75, whose cutting and camera placements impart a subtle tension (and an air of elegant craftsmanship) above and beyond the call of television duty. Indeed, all three conspire to make Costigan...