Word: hepburn
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...Gish and Mac Marsh, who provided the polarities from which Griffith fashioned some of his greatest films. The "screwball" Depression comedies (with Lombard, Colbert, Arthur and the rest), the great foreign sirens (Grabo, Dietrich, and Lamarr), the singing blondes from Fox (Faye, Grable, and Monroe), Bette Davis and Katherine Hepburn, are genres unto themselves-this is at least half of the Hollywood product, and a half that could never have existed without women. As the key to the gold mine, all these women had immense power: their properties were their vehicles-and it's often quite clear who was driving...
...Faced Woman, and left the screen forever. Dietrich went to comedy somewhat more successfully, and revived her career with Destry Rides Again in 1939. But all the comedy was at the expense of her former screen image-and although funny, it somehow smells of self-exploitation. Katherine Hepburn made her first comedy, Bringing Up Baby, in 1938, and spent the forties as a socialite-heroine forever being brought down to earth by James Stewart or Spencer Tracy. Without much flair for humor-until she discovered being mean to Joan Crawford in the sixties-Bette Davis settled for ever-drearier tear...
...wonderful to "come home" to Hartford, Katharine Hepburn told the audience at Horace Bushnell Memorial Hall when she opened her musical, Coco, there last week. "It's very emotional being here," she added, her voice trembling. Then Kate went home to another emotional encounter. A female chauffeur whom she had fired for rudeness was discovered hiding in a closet with a hammer, and it took the 61-year-old actress, her stepmother, 70, her secretary and another chauffeur ten minutes to subdue her. Kate emerged from the fray with a new memento of Hartford-a finger that was fractured...
...clients constituted a litany of the best-dressed women, not of the year but of the century: Princess Grace Queen Fabiola, Marlene Dietrich Ingrid Bergman, all the Rothschilds' and most of the Rockefellers. A musical version of her life, enhanced by Katharine Hepburn but stripped of most of the real drama, put Coco on Broadway. She was on a first-name basis with people too famous to need first names: Cocteau, Colette, Diaghilev, Dali, Picasso. Yet at the time of her death, the woman Picasso termed "the most sensible m the world" had a Paris wardrobe consisting of only...
...public, Hughes was often seen with the stars of the day−Billie Dove, Lana Turner, Linda Darnell, Katharine Hepburn, Ginger Rogers, Ava Gardner, Ida Lupino. In private, he visited many others−young, eager, and not too prudish unknowns. Hughes called them "crows," but he feared rebuff even from them. It was the job of one of his public relations men to see that the green light was up before Hughes ever appeared on the scene. He once boasted that he had deflowered 200 virgins in Hollywood; the wonder was that he could find so many...