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Word: hepburn (lookup in dictionary) (lookup stats)
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...SCENT OF FLOWERS takes a girl on a semipoetic, semiprosaic long day's journey into the night of her suicide. Looking uncannily like her aunt Katharine Hepburn, Katharine Houghton gives a tenderly well-wrought performance that has beauty, feeling and intensity...

Author: /time Magazine | Title: Television, Theater, Cinema, Books: Nov. 14, 1969 | 11/14/1969 | See Source »

Following a pattern she began in Hollywood in the 1930s. Hepburn is always one of the first on stage, works the hardest and the longest without a break, and is among the last to leave. "She's Man Mountain Dean," says Jerry Adler, production stage manager. "She leaves us younger folks for dead at the end of the day." When she's not in a scene, she perches on a staircase munching things-packets of meat and cheese and fruit she has brought from home-listening and watching the onstage action over and over...

Author: /time Magazine | Title: Show Business: The Very Expensive Coco | 11/7/1969 | See Source »

...Dressing up is a bore," says Hepburn. "At a certain age, you decorate yourself to attract the opposite sex, and at a certain age, I did that. But I'm past that age." This spareness carries over into her profession. "Addition can make an enormously interesting artist," says Kate, "but the elimination makes a great artist. Simplifying, simplifying, simplifying." She relaxes by playing tennis or taking long walks. When she and Director Michael Benthall worked on The Millionairess, she used to insist that he run around the Central Park reservoir with her every morning. "It nearly killed...

Author: /time Magazine | Title: Show Business: The Very Expensive Coco | 11/7/1969 | See Source »

...Sweat. Of the 18 Lerner-Previn songs, eight are Kate's, full of self-doubt, self-confidence, self-satisfaction and self-recollection. Previn has played a schmalzy Loewe to Lerner's Lerner. As for Hepburn's voice, Previn thinks she's got it. "There's been an enormous improvement just since I heard her last summer," he says. As Adler sees it, "She's like Rex Harrison, only she out-Rexes Rex: you never quite know when the singing stops and the talking begins." It's probably just as well; who else...

Author: /time Magazine | Title: Show Business: The Very Expensive Coco | 11/7/1969 | See Source »

Beyond the Lerners and Previns and Beatons-even beyond the real Chanel -it still remains very much Hepburn's show. Of Coco's 2½ hours, she is onstage all but twelve minutes. Although a mellower Hepburn than the imperious Kate of earlier days, she is still tough. "I think I'm feisty!" she agrees, "but people have just gotten used to me. Now that I've become like the Statue of Liberty or something. Now that I've come to an age where they think I might disappear-they're fond...

Author: /time Magazine | Title: Show Business: The Very Expensive Coco | 11/7/1969 | See Source »

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