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...another way: "Everything that rises must converge." The casting together of the two fastest-rising performers in the business was inevitable?it always is. But it once took half a career to manage the box-office mergers of Jimmy Stewart and June Allyson or Spencer Tracy and Katharine Hepburn. The tempo of American cinema has speeded up; it happened to Farrow and Hoffman after one big hit apiece...

Author: /time Magazine | Title: Cinema: The Moonchild and the Fifth Beatle | 2/7/1969 | See Source »

Married. Audrey Hepburn, 39, filmdom's worldly waif (My Fair Lady, Two for the Road); and Dr. Andrea Mario Dotti, 30, handsome Italian psychiatrist whom she met on a Roman holiday last July; she for the second time (her 14-year marriage to Actor Mel Ferrer ended in divorce two months ago), he for the first; in a quiet civil ceremony held near her home in Merges, Switzerland...

Author: /time Magazine | Title: Milestones: Jan. 31, 1969 | 1/31/1969 | See Source »

James Goldman, who adapted the screenplay from his own fairly successful Broadway script, must've had it in for Katharine Hepburn. She's forced through lines like "Of course he has a knife, we all have knives. It's 1183--we're barbarians." "Hush dear, mother's fighting." She makes it through such embarrassments by playing Katharine Hepburn, adding her wry little smile to some lines ("Well, what family doesn't have its ups and downs?") and telegraphing strong emotion by quivering...

Author: By David W. Boorstin, | Title: The Lion in Winter | 12/20/1968 | See Source »

...Lion in Winter--Pretension unleashed, most notably that of Anthony Harvey, the director, who seems bent on doing everything as conspicuously as he can. Neither Peter O'Toole nor Katharine Hepburn gives much of a performance in this cumbersomely filmed version of James Goldman's play, which was unconvincing to start with. At the PARIS CINEMA, 841 Boylston...

Author: NO WRITER ATTRIBUTED | Title: Movies and Plays This Weekend | 12/13/1968 | See Source »

...Lion in Winter--Pretension unleashed, most notably that of Anthony Harvey, the director, who seems bent on doing everything as conspicuously as he can. Neither Peter O'Toole nor Katharine Hepburn gives much of a performance in this cumbersomely filmed version of James Goldman's play, which was unconvincing to start with. At the PARIS CINEMA, 841 Boylston...

Author: NO WRITER ATTRIBUTED | Title: Movies and Plays This Weekend | 12/6/1968 | See Source »

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