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...Story. Audrey Hepburn, as a Roman Catholic nun who decides that it is love of self rather than love of God that has driven her to-and from-her calling, is too antiseptic in her performance, but the story is a natural and the camera work almost dazzlingly beautiful...

Author: /time Magazine | Title: THEATER: Time Listings, Jul. 20, 1959 | 7/20/1959 | See Source »

...this reviewer the film appears as the most reverent and sensitive interpretation of Roman Catholic convent life yet given movie-goers. It towers above those stereotyped Roman Catholic nuns and priests perpetuated in Going My Way and Come to the Stable. It would be no surprise if Audrey Hepburn, who plays Sister Luke, and director Fred Zinnemann were given Academy Awards for their contributions to this film, which should become a Hollywood classic...

Author: By Barbara C. Jencks, | Title: 'The Nun's Story' at Metropolitan Praised for Sensitive Portrayal | 7/16/1959 | See Source »

...Story. Audrey Hepburn, as a Roman Catholic nun who decides that it is love of self rather than love of God that has driven her to-and from-her calling, is too antiseptic in her performance, but the story is a natural and the camera work almost dazingly beautiful...

Author: /time Magazine | Title: CINEMA: Time Listings, Jul. 13, 1959 | 7/13/1959 | See Source »

From her first day in the convent, Sister Luke (Audrey Hepburn) finds it harder than her sisters do to give up the natural for the spiritual life. Of her three vows-poverty, chastity, obedience-she can keep two without much difficulty, but the third is her undoing. She cannot manage to keep the silence that is required of all novices; she cannot bear to stop whatever she is doing when the bell of command is rung; she cannot persuade her thoughts from memories and objects, "the vanity of this world." Her nature rebels because her will insists on nothing less...

Author: /time Magazine | Title: Cinema: The New Pictures, Jul. 6, 1959 | 7/6/1959 | See Source »

...failure is perhaps principally Director Zinnemann's, but it is partly Actress Hepburn's, too. The character she plays is a woman torn by powerful emotions, but, although a sensitive performer, the leading lady seems unable to express strong feelings of any kind. She is too cool; and so is the picture. She has the presence of the sprite, not the presence of the spirit. Calm and exquisite in her habit, she looks most of the time like nothing more troubled or troubling than (if such a thing were possible) a recruiting poster for a convent...

Author: /time Magazine | Title: Cinema: The New Pictures, Jul. 6, 1959 | 7/6/1959 | See Source »

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