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Bright Road (M-G-M), a drama of Southern Negro life, spins a slight, sentimental story about a pretty, fourth-grade schoolteacher (Dorothy Dandridge) and a handsome principal (Harry Bellafonte) who, through kindness and understanding, reform a rebellious, eleven-year-old pupil (Philip Hepburn). The picture tells its story simply and straightforwardly. Unfortunately, for all its charm, it often seems unreal. The writing and direction are stilted, things have a too-well-scrubbed look, and the characters frequently appear stiff and selfconscious. In the main roles. Nightclub Singers Dandridge and Bellafonte, making their movie debuts, are at their best when...

Author: /time Magazine | Title: Cinema: The New Pictures, Apr. 20, 1953 | 4/20/1953 | See Source »

Despite its gallop, the case is excellent. Audrey Hepburn justifies her notices, playing Gigi with a vibrant warmth. With remarkable beauty and a purr in her voice, she is completely captivating as a spirited hoyden or a demure young lady...

Author: By R.e. Oldenburg, | Title: Gigi | 2/27/1953 | See Source »

With Miss Hepburn, a Gallic air, and rather determined effervescence, Gigi is an engaging play. But don't glance at your program; one of the scenes might dash by in the meantime...

Author: By R.e. Oldenburg, | Title: Gigi | 2/27/1953 | See Source »

...African Queen (Horizon; United Artists). Director John Huston's Techni-colored version of C. S. Forester's novel about a prissy spinster and a gin-swilling skipper; with Katharine Hepburn, Humphrey Bogart (TIME...

Author: /time Magazine | Title: Cinema: CHOICE FOR 1952 | 1/5/1953 | See Source »

...play's ideas are familiar and many of its situations are inept, it has its interludes of fun; had Shaw but written it 60 years earlier, it would undoubtedly have been said to show promise. As it stands, it is simply a vehicle-a monster bulldozer-for Actress Hepburn, who bangs about in it with gusto. She has come far from the days when Dorothy Parker described her as running the gamut from A to B. In The Millionairess she runs it from ff to fff. The effect is often enjoyable and ultimately monotonous...

Author: /time Magazine | Title: The Theater: New Plays in Manhattan, Oct. 27, 1952 | 10/27/1952 | See Source »

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