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SPENCER TRACY AND KATHARINE HEPBURN...

Author: /time Magazine | Title: When Love Was The Adventure | 6/14/1999 | See Source »

DIED. GARSON KANIN, 86, playwright and director whose Born Yesterday (1946 on stage, 1950 in film) is considered a comedy classic; in New York. With his wife, the actress Ruth Gordon, Kanin wrote the scripts for several of the more celebrated movie pairings of Spencer Tracy and Katharine Hepburn, including Adam's Rib (1949) and Pat and Mike (1952). He also claimed some credit for his brother Michael's screenplay for Woman of the Year...

Author: /time Magazine | Title: Milestones Mar. 22, 1999 | 3/22/1999 | See Source »

...similarly obsessive vein, I've watched "Breakfast at Tiffany's" at least 30 times. My dorm room walls are flanked with original "Breakfast at Tiffany's" movie posters in three languages. Admittedly, Audrey Hepburn looks marginally better than yours truly in her slinky black dress--after all, she's a statuesque 5'10" to your humble narrator's 5'3". However, I do believe I'm the Holly Golightly spiritually reincarnated as a little Asian girl. We both perpetually forget our keys, are afflicted with fickleness, use "franglais" phrases indiscriminately and maintain a wretched opinion of ex-lovers...

Author: By Terry E-E Chang, | Title: Endpaper: Play it Again, Sam | 3/4/1999 | See Source »

...similarly obsessive vein, I've watched "Breakfast at Tiffany's" at least 30 times. My dorm room walls are flanked with original "Breakfast at Tiffany's" movie posters in three languages. Admittedly, Audrey Hepburn looks marginally better than yours truly in her slinky black dress--after all, she's statuesque 5'10" to your humble narrator's 5'3". However, I do believe I'm the Holly Golightly spiritually reincarnated as a little Asian girl. We both perpetually forget our keys, are affected with fickleness, use "franglais" phrases indiscriminately and maintain a wretched opinion of ex-lovers...

Author: By Terry E. E. chang, | Title: Play it again, Sam | 3/4/1999 | See Source »

Moviedom is filled with memorable fashion imagery--Vivien Leigh's Gone With the Wind green velvet, Audrey Hepburn's Sabrina cocktail sheath, Jean Seberg's T shirts in Breathless, almost anything Mike Myers wore in Austin Powers--but how often can articles of clothing be credited with having a performance-enhancing power akin to, say, a film's director? It happened, it seems, during the shooting of Todd Haynes' Velvet Goldmine, an homage to the David Bowie '70s and the world of men in makeup. According to Toni Collette, who played a rock-star wife, all the leopard print...

Author: /time Magazine | Title: Cinema: Designing Woman | 2/22/1999 | See Source »

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