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...Robert Towne) was drawn to this story; for a famous womanizer, it must have emotionally autobiographical elements. But he also recognized that maidenly virtue and religiously inspired guilt are tough sells these days. Under Glenn Gordon Caron's uninflected direction, there are no chapels (though a distressingly feeble Katharine Hepburn appears as the aunt), the couple consummates quickly, and the 90-day wait for their famous date atop the Empire State Building is motivated by no more than a postcoital fear of rushing into something. Not much suspense in that. Some of us religious and romantic skeptics have always thought...

Author: /time Magazine | Title: CINEMA: Oh, Forget It | 10/24/1994 | See Source »

...genre of classic romantic, comedies with duos such as Katherine Hepburn and Spencer Tracy, director Andrew Bergman has found a cinematic piece de resistance in Bridget Fonda and Nicholas Cage. While the characters they play are basically one-dimensional and the film revolves around a simple, funny plot, "It Could Happen to You" sands alone as the best romantic comedy of the summer...

Author: By G. WILLIAM Winborn, | Title: Bergman Happens To Find a Great Duo | 7/29/1994 | See Source »

With its semisnazzy repartee and would-be ebullience, I Love Trouble strains for the style of the grand old movies (the Thin Man capers, the Tracy-Hepburn comedies Adam's Rib and Pat and Mike, half a dozen Hitchcocks) from which it borrows plot, dialogue and ambiance. But style is a Hollywood commodity even rarer these days than a pretty woman. Films don't breeze; they wheeze. Directors aren't pastry chefs anymore; they are construction foremen. Watching I Love Trouble, you can see the erection of a new Julia Roberts statue. The monument is eye-catching but bland...

Author: /time Magazine | Title: CINEMA: Jovial Julia Roberts has an ideal role in a bland caper with Nick Nolte | 7/4/1994 | See Source »

...didn't buy it. I rented movies of past generations and watched them in the spirit of bemused nostalgia touted byNew Yark's critic. I decided --if truth be told, I decided this long ago--that Winona Ryder lacks the acting range of Ingrid Bergman or Katherine Hepburn, and it upset me that a movie which purported to confront "reality" in some shape or form (even ironically,especially ironically would make a wide-eyed waif its heroine with seemingly no other justification. Then I castigated myself for maybe being jealous of her and the fact that my movie-going companion...

Author: By Alexandra Jacobs, | Title: Taking a Bite Out of Hollywood | 4/7/1994 | See Source »

...stars that gave him the opportunity to be debonair, dashing, and devastatingly witty. While Hugh Grant does his best to manipulate the high jinks and high verbiage of this movie, his performance does not come anywhere near the stature of those of Cary Grant because his Charles has no Hepburn like counterpart with whom to share repartee and amorous tension. Without these basic ingredients, all the spice and sprinkle in the world cannot prevent this film from falling oddly flat...

Author: By Emilie L. Kao, | Title: 'Four Weddings' Is Not Worth Celebrating | 3/24/1994 | See Source »

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