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Word: hepburn (lookup in dictionary) (lookup stats)
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There was no man more determined than Barbara Stanwyck, Bette Davis or Katharine Hepburn. These actresses were both strong and womanly. They didn't surrender their grace, compassion, resilience -- if we may say so, their femininity -- when they demanded social equality with men. They were looking to live with the other sex, not wipe...

Author: /time Magazine | Title: Why Can't A Woman Be a Man? | 8/5/1991 | See Source »

...becomes harder and harder to root for the heroines, who make the wrong choice at every turn and act more like Clint Eastwood than Katharine Hepburn. The day after her near rape, Thelma is begging Louise to pick up a hitchhiker. It requires a breathtaking midair somersault of faith to believe Thelma would be eager to take up with another stranger so soon and would let him into her motel room and go limp with desire after he admits he robs convenience stores for a living...

Author: /time Magazine | Title: Is This What Feminism Is All About? | 6/24/1991 | See Source »

...about exhibition. The camera doesn't reveal who people are; it shows what they are trying to be. If they are adept at using themselves and others, they will shine. And Madonna -- who has played more roles in a decade of camera courtship than Katharine Hepburn has in 60 years of movie stardom -- radiates luxe, wit and common sense playing a semi-real character based on a fiction named Madonna...

Author: /time Magazine | Title: Who Does Madonna Wanna Be? | 5/6/1991 | See Source »

...unlikely, though, that they signal a return to Hollywood's golden age, when Garbo, Davis, Hepburn, Crawford, Dietrich could sell a film and give it class. That was a more genteel time, one that prized wit, heart and, on screen at least, a sexual equality of emotion and intelligence. Movies were about grownups; the toy-boy heroes stayed in comic books. Maybe audiences were more mature too. These days, Ghost and Pretty Woman are the big-hit exception, not the norm; moviegoers tend to measure heroism in terms of pectorals. Somewhere ! between Rambo and bimbo, between roles for children...

Author: /time Magazine | Title: CINEMA | 2/18/1991 | See Source »

Katharine Hepburn once remarked that the secret to Fred Astaire and Ginger Rogers' success was that he gave her class while she gave him sex appeal. Hepburn's equation helps explain the long and awkward tango between Hollywood and Washington. To Washington, Hollywood offered glamour; to Hollywood, Washington provided substance, or at least the illusion...

Author: /time Magazine | Title: Rival Capitals of Fantasy: THE POWER AND THE GLITTER by Ronald Brownstein | 2/4/1991 | See Source »

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