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...promote established artists, not to rear unknowns. Understandably, other dealers-especially the ones who brought some present Marlborough stars from obscurity-dislike this. Among them, Lloyd's unpopularity is notorious. "It's a bit like stealing a patent," says London Dealer Peter Gimpel, who lost Sculptors Barbara Hepworth, Kenneth Armitage and Lynn Chadwick to Marlborough. When another London dealer discovered that she had lost a prominent artist to Lloyd, she contemplated a lawsuit. Presently her banker called to say that her credit would dry up if the suit reached court. She dropped...

Author: /time Magazine | Title: Art: Artfinger: Turning Pictures into Gold | 6/25/1973 | See Source »

...Thai authorities. Reports Bangkok Bureau Chief Louis Kraar: "Many military officers assigned to Thailand say they have used the story as orientation because it was just about the only thing that was both complete and current, yet concise." ¶ On five-acre Pigeon Island in the South Pacific, Tom Hepworth, who runs a trading post, read in Modern Living of a worldwide vacation-home-exchange service based in Connecticut. He wrote the agency for help in finding someone in New Zealand who would trade homes so he could take his eight-year-old daughter there for open-heart surgery...

Author: /time Magazine | Title: A Letter From The Publisher: Oct. 20, 1967 | 10/20/1967 | See Source »

...entrance to Macgowan Hall. In 1964 the U.C.L.A. Arts Council and Regent Norton Simon bought Lipchitz' Song of the Vowels. The bulk of the collection came from the estate of David E. Bright, a Los Angeles industrialist who died in 1965. Bright left the Moore, a Hepworth, another Lipchitz, and two pieces that are far and away the most popular with the students. One is an Henri Laurens reclining nude, called Esquisse d'Automne, whose raised arm and leg form what has already become one of U.C.L.A.'s most popular benches. The other is a clean, shiny...

Author: /time Magazine | Title: Sculpture: Beauty & Bongos | 6/16/1967 | See Source »

...weeks, the exhibition has proved an immense success -with everyone, that is, except young Greek lovers. The Hill of Muses has long been their favorite nocturnal rendezvous. There has been much grumbling from those who have found themselves confronted in the dark of night with the likes of Barbara Hepworth's looming Sea Form, which looks like a shield with holes in it, or Pablo Gargallo's St. John the Baptist, a strident bronze whose every jutting piece stands ready to gore the unwary lover...

Author: /time Magazine | Title: Sculpture: Figures in the Sun | 10/8/1965 | See Source »

...nature as they wind around its 21-ft. height-an ideal counter to the squared shimmer of the Secretariat Building's facade. Symbolically, the bold bronze seems a play on the Swedish diplomat's name-a hammered shield. Inside the pierced circle of the design, Sculptress Hepworth has inscribed: "To the glory of God and the memory of Dag Hammarskjold...

Author: /time Magazine | Title: Sculpture: In Abstract Memoriam | 6/19/1964 | See Source »

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