Word: herbert
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Dates: during 1930-1939
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...Jose, Calif., at a rally for the Congressional candidacy of Rancher John Z. Anderson, Herbert Hoover answered last month's "liberal" appeal of Franklin Roosevelt (TIME, July 4): "The New Deal has sit up labor boards which are executives, legislatures, prosecutors, judges, juries and executioners. It has tried to humble the judiciary and turn Congress into a rubber stamp. If this be liberalism, then King George III, Karl Marx, Mussolini and Boss Tweed were liberals...
...watch a loudly ballyhooed meeting of War Admiral and Seabiscuit, two of the seven entries in the $50,000 added Massachusetts Handicap. Three thousand miles away, in brand-new Hollywood Park at Inglewood, 50,000 Californians gathered to watch a highly touted race, for a $50,000 purse, between Herbert M. Woolf's Lawrin (Kentucky Derby winner) and William du Font's Dauber (Preakness winner) to settle the "American three-year-old championship...
...rural premieres include Ward Green's Honey at Dennis; Hollywood Be Thy Name (by Myron Fagan, at Cape May); Let's Never Change (by Owen Davis, at Skowhegan); Tomorrow's Sunday (by Philo Higley, at Cohasset); Soubrette (by Jacques Deval, at Ogunquit); Made in Heaven (by Herbert Crocker, at Somerset, Pa.) ; Music at Evening (by Robert Nathan, at White Plains); Dame Nature (by André Birabeau, adapted by Patricia Collinge, at Westport...
...when he is caught acting as a blind for two daring jewel thieves who have made themselves his guardians. Russell-Cotes School, to which Geoffrey is remanded in lieu of the reformatory, is a naval training institution which seems to be a model of its kind, with good-hearted Herbert Mundin to teach the boys sailors' knots and coach the lifeboat crew; Charles Coburn to improve their characters, and young Mickey Rooney to act as head prefect. To Geoffrey, the routine lacks excitement. It is not until he has insulted the headmaster's wife, tried to run away...
Always Goodbye (Twentieth Century-Fox) provides Barbara Stanwyck, as an up-to-date young woman caught in the web of social difficulties, with a perplexing problem and an extensive wardrobe. The problem is whether to marry the man she loves (Herbert Marshall), or the guardian (Ian Hunter) of her son, produced before she married anyone at all. The wardrobe is the inevitable equipment, in the cinema, of all young women who work in dress shops...