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...trained to guard convicts, that becomes a stray when most of the Stalinist camps are closed down in 1956. Ruslan, and other dogs of his kind, keep a vigil at the local railway station, hoping for the arrival of the familiar convoys of prisoners whom they can once again herd to the camp. "Anyone who waits with such single-minded devotion is always rewarded in the end." Sure enough, one day "an incredible horde" came tumbling out of a train, laughing and shouting. "In a moment Ruslan was transformed: flexible, alert, his yellow eyes sharp and keen." The dogs mistake...

Author: /time Magazine | Title: Books: Breaking Through in Fiction | 6/23/1980 | See Source »

George Bush is likewise counting on a last-minute delegate stampede into his camp. Says he: "I understand herd instincts." Bush's strategy is to outcampaign and outspend the front runner in key industrial states, just as he did in Pennsylvania, where he stumped for 14 days and spent nearly $1 million, vs. four days and $100,000 by Reagan. Bush figures that he can spend six times more than Reagan on politicking in the remaining contests because the Californian has already come closer to the $17 million federal limit on primary spending than Bush...

Author: /time Magazine | Title: Nation: The Day of the Underdogs | 5/5/1980 | See Source »

...refugees, many of whom live in the rubber-tent slums of urban shanty towns. An extra 170,000 refugees remain in Mozambique and Zambia. More than half the schools have been closed, and nearly 420,000 school-age blacks are uneducated. A third of the 3 million African-owned herd has been lost through disease and theft. The normally abundant corn crop has been savaged by severe drought; about 200,000 people are dependent on emergency Red Cross food shipments...

Author: /time Magazine | Title: ZIMBABWE: Festive Birth of a Nation | 4/28/1980 | See Source »

...cubist paintings. Picasso treated African art as raw material and cared nothing about its tribal contexts or religious meanings. As far as he, Matisse and Braque were concerned, it was made by savages: the masks and carvings were emblems of ferocity, a thrilling rupture in the smooth herd of French metaphor painting. Seventy years later, for an artist to use African art in that way could only be racist condescension, or airport art, or both. So the problem for an artist who wants to connect his or her sense of black identity with the legacy of modernism...

Author: /time Magazine | Title: Art: Going Back to Africa | 3/31/1980 | See Source »

With 15 states and nearly a third of the U.S.'s population under its purview, our Chicago-based Midwest bureau is never short of stories. But last week, with the embargo of Soviet grain sales sending shock waves through the Great Plains and a herd of presidential hopefuls campaigning in Iowa before the state's party caucuses, the bureau's correspondents found their list of assignments unusually heavy. Says Benjamin Cate, who has been Midwest's chief since 1975: "It was our busiest week with breaking stories since our cover on the Big Freeze...

Author: /time Magazine | Title: A Letter From The Publisher, Jan. 21, 1980 | 1/21/1980 | See Source »

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