Word: herein
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Dates: during 1920-1929
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Nowadays, it is often Mr. Galsworthy's method to propound a question without answering it, a method of which the virtues are herein made obvious by contrast. Nonetheless, there are occasional moments when the play achieves the warm pungence of its author's later works; these are often fumbled by the minor members of the cast but never by Isobel Elsom who plays Mrs. Jones or by James Dale who plays her husband with a loud and feline cockney accent...
...Fortune Hunter. Funnyman Syd Chaplin is never nearly so funny as his famed brother. What with his wide grin and his rapid trotting motion, he seldom cuts a solemn figure on the screen. Herein, first trying to marry a rich beautiful girl for money he is aided by the grace, charm and beauty of Helene Costello (sister to the famed Dolores). Later, trying to marry a poor, blonde girl for love, he is obstructed by Clara Horton, a horrible ingenue...
Lovely Lady. For those who like Edna Leedom this is valid fun. Miss Leedom is blonde, slightly tough and in earnest. She has been in many a vast revue and is, no doubt, widely revered. Herein she plays a U. S. miss at large in France. She, pursuing a svelt and penniless French nobleman, is pursued by an atrocious English nobleman. A group of clockwork dancing girls do steadily astonishing things. There is a bed room. Of the French nobleman it is said that had Elinor Glyn seen him before she wrote It the book's title would have...
...Alison Skipworth is reliably funny as our old harpy. One Mary Robinson enacts as tough a creature as is permissible without frightening the audience. Donald Ogden Stewart, author of mad literature, writes herein his first lines for the stage and rouses occasional uproar...
...Spotlight. Herein a little U. S. blonde, Lizzie Stokes, is transformed into dark and dangerous Russian actress, Olga Rostova, thus allowing Esther Ralston to prove that she can be quite as intriguing under a black wig as under her own shingled gold. The plot moves quietly along until the moment when Olga Rostova must tell her most devoted admirer in the presence of her producer and severest critic that she is, in reality, no Russian beauty but only poor little Lizzie Stokes. At this crisis, Esther Ralston also proves that she can actually act when circumstances make it imperative...