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The record concludes with the overlong but fittingly detailed “It’s About Time.” Here, the strings, keyboard, guitar, and vocals all blend together to form a suitably dramatic ending to an eclectic album, although it’s questionable whether the song...

Author: By Caroline J. Burke, CONTRIBUTING WRITER | Title: Field Music | 2/17/2010 | See Source »

Other performances, like The Drummers of the Pan-African Dance and Music Ensemble’s “Drum Call,” were directly influenced by Haitian art. In one thrilling performance, Sidi M. Camara paced back and forth across the stage while he drummed with inexhaustible charisma...

Author: By Mark A. Fusunyan, CRIMSON STAFF WRITER | Title: Passion and Compassion | 2/17/2010 | See Source »

Feel free to check out what other stocks Harvard owns here.

Author: By Gautam S. Kumar, CRIMSON STAFF WRITER | Title: Harvard Owns Burritos and Superheroes | 2/17/2010 | See Source »

Barron himself led an ensemble within an ensemble, performing an original composition, “New York Attitude,” with Kitagawa and Blake. It was pure, muscular, sparkling, straight-ahead jazz—Blake shone throughout the night, but here he produced an especially lively, just ahead-of...

Author: By Sophie O. Duvernoy, CRIMSON STAFF WRITER | Title: Monterey Jazz Festival On Tour Hits All the Right Notes | 2/17/2010 | See Source »

It wasn’t until his solo piece that Malone fully showed what he was capable of, performing an Alex North tune that perfectly showcased his limpid sound reminiscent of Grant Green, coupled with evocative acoustic guitar skills. Throughout the evening, he steeped the ensemble in 1960s soul jazz...

Author: By Sophie O. Duvernoy, CRIMSON STAFF WRITER | Title: Monterey Jazz Festival On Tour Hits All the Right Notes | 2/17/2010 | See Source »

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