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...wiry little man-child with a voice that sounded like his novocaine hadn't worn off yet. But children adored Pee-wee Herman (aka Paul Reubens), critics praised him and adults delighted in discovering double-entendres and inside jokes on his Saturday morning kids? TV show Pee-wee?s Playhouse, which ran from 1986 to 1991 on CBS. Pee-wee is back - this time for grown-ups - in all 45 original episodes, airing on Cartoon Network?s Adult Swim Monday thru Thursday nights at 11 p.m. TIME's Jeanne McDowell talked to Reubens about the return of the Playhouse...

Author: /time Magazine | Title: Pee-wee's Small Adventure | 7/13/2006 | See Source »

...small, which made it perfect. The voice came to me one day, and someone gave me a bow tie that was tiny. Then Pee-wee started to emerge fully formed and ready to be born. I spent many years trying to make the public think that Pee-wee Herman was a real person. I always did my interviews...

Author: /time Magazine | Title: Pee-wee's Small Adventure | 7/13/2006 | See Source »

...toiled in open bull pens. Propst's pod offered at least as much privacy as they had in a toilet stall, albeit without the door. Corporate America, which is run by people whose offices have doors, has snapped up more than $5 billion worth of the units from maker Herman Miller. Today 70% of U.S. office workers sit in cubicles, which have long transcended mere office furniture to become a pop-cultural icon (thank you, Dilbert...

Author: /time Magazine | Title: Redrawing the Cube | 7/9/2006 | See Source »

Enter Cubicle 2.0. At Herman Miller, it's called My Studio and is aesthetically reminiscent of the iPod. Framed by brushed steel and clear plastic, the pods are separated by low partitions that slide open for passing paper clips and gum. An occupant of a 6-ft. by 8-ft. cube could invite two colleagues to perch on the horseshoe-shaped desk. Storage seems sufficient: files tuck underfoot, cables hide behind a panel--there's even a closet. And here's the kicker: it has a sliding, shoji-like door. "Privacy is key to a worker's sense of territory...

Author: /time Magazine | Title: Redrawing the Cube | 7/9/2006 | See Source »

...signature films of Subway?s early festivals were spectacularly lurid: Herman Yau?sThe Untold Story from Hong Kong, Takashi Miike?s Visitor Q from Japan. This was the midnight-movie aesthetic run amok, a hazing at the coolest frat house on campus. Inevitably, as they grew older and threw their net wider, the Subway programmers acquired a more mature taste. Should I say, "I?m sorry to say"? Maybe. I miss the regularity of the shock value in their early selections. The last few Asian Film Festivals have been more like real film festivals, with selections that have won best...

Author: /time Magazine | Title: The New Eastern Standard | 6/23/2006 | See Source »

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