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...Weber, was first, and HRO’s rendition was both articulate and spirited. Rebecca L. Gruskin ’11 opened the piece with a solemn, clear horn call that, in the opera, would signal the beginning of the Elf-King’s quest to save the hero, Huan. Gruskin was impeccable throughout the evening, and when the call returned, it was as clear but more optimistic, fitting the music perfectly. The strings were agile both dynamically and technically, evoking a mystical landscape, and the winds marched solidly behind them. A controlled build-up led to an exciting...

Author: By Matthew H. Coogan, CONTRIBUTING WRITER | Title: HRO Evokes Rich Moods | 12/8/2008 | See Source »

...house, he brandishes a rifle and actually shouts, "Get off my lawn!" In any other movie, he'd be the sour comic relief or the monster's first victim. But since, in Gran Torino, he's played by Clint Eastwood, Walt is a stalwart man of the Midwest--the hero who has a score to settle. With himself...

Author: /time Magazine | Title: The Essence of Clint Eastwood | 12/4/2008 | See Source »

That persona basically took John Wayne, the solitary western hero, and made him nastier, edgier, way easier to anger. Where the Duke drawled and lumbered--he wasn't so much a cattleman as a cattle man--Clint scowled and pounced, a scorpion with stubble. This character was both iconic and malleable: he was as at home on the streets as on the range and as a cop (in the Dirty Harry series), a convict (Escape from Alcatraz), a soldier (Heartbreak Ridge) and, later, a father figure like the Old Testament God--anyone with an intimidating presence and a sandpaper soul...

Author: /time Magazine | Title: The Essence of Clint Eastwood | 12/4/2008 | See Source »

...pilgrims on the bridge left nearly 1,000 dead; hundreds plunged into the Tigris below and drowned. Despite sectarian tensions, many Sunnis in Adhamiya rushed to help rescue survivors. One young man, Othman al-Obeidi, rescued six pilgrims before himself drowning. He was hailed as a hero by both sides...

Author: /time Magazine | Title: Five Reasons for Hope in Iraq | 11/29/2008 | See Source »

...films, Li considers the most important to be Hero, Fearless and 2005's Danny the Dog, in which he plays a senseless brute, trained to savage anyone running foul of his loan-shark master. "Everything I want to say is in those three movies," he declares. "The message of Hero is that your personal suffering is not as important as the suffering of your country. The point of Danny the Dog is that violence is not a solution. Fearless is actually about personal growth - about a guy who decides that in the end his greatest enemy is himself...

Author: /time Magazine | Title: The Liberation of Jet Li | 11/27/2008 | See Source »

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