Word: heroicizing
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Dates: during 1970-1979
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...weighty Othello as well as bel canto parts?but he sometimes loses impact because of a veiled timbre and somewhat muted personality. Jon Vickers, 52, can match Pavarotti's intensity and puts more serious thought behind his performing, but his is an entirely different kind of voice: rugged, heroic, best suited to dramatic works such as Otello, Les Troyens and Peter Grimes. Nicolai Gedda, an elegant, unfailingly attractive singer, is a supremely versatile stylist, at home in several languages; at 54, however, he is understandably not a powerhouse. Perhaps the challenge ultimately will come from a younger singer like Jose...
...five notes from G to high C or D. For a male singer to reach such heights while retaining all the power and virility of his lower range?and, preferably, subordinating the sheer physical feat to an artistic purpose?is a rare and exhilarating achievement. This is the heroic madness of the tenor. He girds himself like a gladiator for an awesome exertion. Then, striving upward, he reaches for triumph, knowing that at the same time he is cruelly exposing himself to the most humiliating failure. No performance recovers from a broken high...
...inherent in the word wilderness; it is essentially romantic. As Szarkowski has observed, "Adams' pictures are perhaps anachronisms. They are perhaps the last confident and deeply felt pictures of their tradition . . . It does not seem likely that a photographer of the future will be able to bring to the heroic wild landscape the passion, trust and belief that Adams has brought...
...structurally," he says. "I don't try to do it, it just sometimes comes. It's a synesthetic reaction." His preferences in music are in line with his predilections as a photographer: a preference for large structures, commanding themes and plenty of orchestral color. "I've always liked heroic music. I can't stand Debussy and Ravel. I like Beethoven, Bach, Chopin, Scriabin?anything architectural and big has much more appeal...
...trust, my relief at having escaped undiscovered-all that turned out to be nothing, really, beside the frustration I soon began to feel over the thinness of my imagination and what that promised for the future. Dad-da, Florence, the great Durante; her babyishness and desire, his mad, heroic restraint-Oh, if only I could have imagined the scene I'd overheard! If only I could invent as presumptuously as real life! If one day I could just approach the originality and excitement of what actually goes on! But if I did, what then would they think...