Word: heroines
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...urban decay. Three standout supporting actors are uniquely worth mentioning. Bobby A. Hodgson ’05 is wonderfully frenetic as the aptly-named Dopey, who delivers a sparkling and drug-crazed monologue, and Josh C. Phillips ’07’s burnt out heroin-addict Fick is both hilarious and sad. Scottie Thompson’s Ann, a dragon-lady salt-of-the earth working girl, is also excellent: when the second act opens to Ann smoking a cigarette in quiet café, her back to a bear yellow wall, her bearing is that of a woman...
...expected, the directing is commendable. Though the onstage action at times neared chaos—while hustlers swagger down the sidewalk, a loud fight erupts in the café, and junkies shoot heroin in another corner of the stage—Zigler’s direction made clear when and where the audience should focus its primary attention. Indeed, those moments when action suddenly stopped to showcase characters’ monologues, some of which were directed to the audience as omniscient asides, or to frame absurdist humor (a song and dance number about hustling) were dramatically effective and seamlessly executed...
...their next full-length Pills ’n’ Thrills and Bellyaches, my pick for all-time greatest drug album, blew it open as Britain seemed to slowly turn into one non-stop party. Though soon the party ended—frontman Shaun Rider’s heroin problems finally caused their 1993 breakup—the musical document they leave is a rich testament to the chemical glories and corresponding dementias of the rave scene. “God rains the Es down on me,” Ryder declares in “God?...
...film features a so-so B-list cast with Sarah Michelle Gellar starring as Karen, the non-vampire-slaying, non-mystery-solving exchange student in Toyko, Bill Pullman as Peter, an ill-fated professor and Grace Zabriskie as Emma, an elderly woman who’s either a heavy heroin addict or a precog. Except for Zabriskie reinventing the doped-up old woman role, the rest of the cast disappoints—especially Gellar. Sure, she can wield a wooden stake, seduce her brother and spot Scooby Doo like no one else, but Gellar just can’t handle...
...couldn't stay a child. A blind man on his own had to be an instant grownup--insisting he get paid in singles, say, to avoid being cheated. Charles wouldn't baby himself (except for his heroin habit) or let others kid him. What he says sounds arrogant, but it's a fact: "I walk out alone in the dark and do something no one's done in music and business...