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...baseball) to draw passionate conclusions that few people would disagree with (war is terrible, racism is evil). Johnson is a less obvious subject and in some ways more complicated. Blackness is about race, even more blatantly than Baseball or Jazz, and yet Johnson was not self-consciously a racial hero. He would not kowtow to racists, but he also rebuffed Tuskegee Institute president Booker T. Washington and other black community leaders who chided him for fraternizing with whites...

Author: /time Magazine | Title: Television: Too Black, Too Strong | 1/9/2005 | See Source »

...rashly wagered his flesh as collateral for a loan. Shylock was simply Antonio's banker, whose humiliation--by lovely, quick-witted Portia--is irrelevant to the romantic intriguing that consumes most of the plot. But Shylock's injured majesty and his rough treatment by the play's putative hero and heroine have hijacked The Merchant of Venice and made it a showcase for great actors. In a production in which Laurence Olivier, say, or Dustin Hoffman took on Shylock, does anyone remember who played Antonio or Portia...

Author: /time Magazine | Title: Movies: Quiet Venom | 1/9/2005 | See Source »

Murray left Saturday Night Live in 1980 to become a star in Stripes and a phenomenon in Ghostbusters, movies in which he improvised much of his dialogue. Summarizing these early performances, film critic Pauline Kael wrote that Murray's "patent insincerity makes him the perfect emblematic hero for the stoned era." For a man who wanted to be emblematic of nothing and beholden to no one, Murray must have sensed that he was losing control of what he was trying to project. So, he had agreed to do Ghostbusters only if the studio, Columbia, would finance a remake...

Author: /time Magazine | Title: The Many Faces of Bill | 1/3/2005 | See Source »

...Iraq theater of war with Al Jazeera reporters like the mammothly charming Hassan Ibrahim, who has a respectful running dialogue with Marine Capt. Josh Rushing, a fellow so appealingly earnest in a tough job - explaining the U.S. invasion to journalists - that he would be the hero of any other film. (Rushing resigned his commission this year, joining the Veterans? antiwar brigade Operation Truth and saying of the Administration?s purported evidence of Saddam?s WMDs, ?I felt personally duped.?) In the other half, the film focuses on the station?s headquarters in Qatar, where its program director, Samir Khader, rails...

Author: /time Magazine | Title: That Old Feeling: The Year in Docu-politics | 12/20/2004 | See Source »

...happens, the tone and content of these films neatly bisected the mood of this year?s electorate. Moore?s documentary was angry, skeptical, wide-ranging, skipping from topic to topic, using comedy and sarcasm to convey moral rage; its hero was a grungy fat guy who ambushed his adversaries. Mel Gibson?s docudrama was stolid, bloody, humorless, remorseless, sticking to its micro-subject with macro implications, staying obsessively on point; its hero was a stern thin man who endured scourging and calumny in order to fulfill His mission. In other words, Moore embodied what the Right saw as Kerry...

Author: /time Magazine | Title: That Old Feeling: The Year in Docu-politics | 12/20/2004 | See Source »

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