Word: herr
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...best "Vietnam" film we have. The Americans who fought in Vietnam--more than any other war-quickly realized they were not fighting to win but to stay alive. Battle was no "John Wayne wet-dream," as Michael Herr called it in his Vietnam account, Dispatches. Even Fuller's narrator comments that the army doesn't award medals for protecting civilians but for killing Germans; in Vietnam, a high bodycount signalled victory. It is this attitude to survival that enables The Big Red One to bridge the gap between America's most glorious and most dishonorable wars...
...best "Vietnam" film we have. The Americans who fought in Vietnam--more than any other war-quickly realized they were not fighting to win but to stay alive. Battle was no "John Wayne wet-dream," as Michael Herr called it in his Vietnam account, Dispatches. Even Fuller's narrator comments that the army doesn't award medals for protecting civilians but for killing Germans; in Vietnam, a high bodycount signalled victory. It is this attitude to survival that enables The Big Red One to bridge the gap between America's most glorious and most dishonorable wars...
NONFICTION Dispatches by Michael Herr: highly evocative reporting about the Viet Nam War and its aftermath...
...West Germany and France, what is known as the "Herr Professor" syndrome often prevails. Government grants tend to go to the professor who heads the department; he then distributes the money as he sees fit, even though he may not be in the best position to evaluate the work of a promising newcomer. Nor do teachers and students communicate as easily as they do in the U.S., where there is a give and take between the generations. Says Professor Heinz Maier-Leibnitz, president of the West German Research Society: "In America, you have to be different to be accepted. West...
Perhaps if Coppola had succeeded in his efforts to recruit a star for the part, Willard might have commanded an audience's interest and empathy by sheer force of personal magnetism. Having no star, the director tried a more desperate solution: he commissioned Journalist Michael Herr (Dispatches) to write a narration that attempts to fill in Willard's personality ex post facto on the sound track. That narration-alternately sensitive, psychopathic, literary, gung-ho and antiwar-is self-contradictory and often at odds with Willard's behavior. It does not establish the protagonist as a credible figure...