Word: herrey
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Dates: during 1950-1959
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Most important of these was a set of recommendations on the design of the theater plant presented by Anthony Herrey '54, one of the chief designers for the Harvard Dramatic Club. The recommendations were greeted with considerable interest by both Brown and Bundy...
Also at this meeting, a student subcommittee, composed of Neil Smith '54, president of the Harvard Dramatic Club, and Anthony Herrey '54, HDC designer, will present suggestions on the kind of new building which world best meet the needs of student dramatic organizations...
Members of the committee besides Judd, are: John Martindale '54, vice-president of the Harvard Dramatic Club, Neil Smith '54, HDC president, Richard Heffron '54, Anthony Herrey '54, Michael Maccoby '54 and Benjamin LaFarge '54. Lyon Phelps '51, president of the Poots' Theatre, is an observer on the committee...
...into an irrelevant plot, and no one fronts and centers to sing them. The show flows from opening to finale. Stark Hesseltine's production is, of course, very good, and the costume committee, headed by Jill Howard, can well share credit for the glossy exterior of the show. Tony Herrey's sets also contributed greatly. They were bright and simple, and the theatre marquee, in particular, showed an intelligent use of the Pudding's limited space...
...aspect of the theatre. Most memorable of the Group's work has been its 1951 productions of "Darkness at Noon" and Arthur Millers adaptation of "An Enemy of the People." This year, "The General" firmly upholds the Group's tradition of a professional polish to its work. And Antony Herrey's brilliant settings do more than a little towards creating the play's shine...