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...designer Antony L. Herrey '54 took Chapman's specifications and cut the requested time by more than two thirds. For the time required to shift between the two elaborately detailed and vastly different settings is only fifteen seconds...

Author: By Richard H. Ullman, | Title: Revolving Stage Captures Nervous Pace of Chapman Drama | 4/30/1953 | See Source »

...Herrey achieved the amazingly rapid time by the use of a revolving stage--the first ever seen at Harvard. Using such a device he has produced settings that are superior to any that have been used here in a student-produced play and comparable to sets in the professional theatre...

Author: By Richard H. Ullman, | Title: Revolving Stage Captures Nervous Pace of Chapman Drama | 4/30/1953 | See Source »

Chapman and Louis Coxe, co-authors of the play, used only two sets, but they are totally different, and there are six scene changes. When the curtain rises, the General's office is seen. The script says ". . . windowless, blank, austere walls. Sense of claustrophobia." Herrey achieved the desired effect by the use of a shallow stage and high ceiling...

Author: By Richard H. Ullman, | Title: Revolving Stage Captures Nervous Pace of Chapman Drama | 4/30/1953 | See Source »

...words must be added in praise of the brilliant revolving set by Richard Higgens, of Anthony Herrey's settings and of Irving Yeskowitz's excellent production which does wonders with the Pl Eta's cramped stage. As for Coxe and Chapman, they have given their audience stimulating ideas, especially apt today, but the unreality and inconsistencies of their characters often make these ideas confusing...

Author: By Michael Maccoby, | Title: The General | 4/25/1953 | See Source »

...tonight over WHRB, Council members Anthony l. Herrey '54 and Cliff L. Alexander '55 will discuss the so-called threat to academic freedom generally and the Council's stand specifically...

Author: By William M. Beecher, | Title: Council Airs Students' View on Free Thought | 3/16/1953 | See Source »

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