Word: herriman
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...folk proverbs, crude popular drama and 18th century (mainly English) caricature. Miro was inspired by comic strips and folk scatology. And Philip Guston in the 1970s was able to attain his measure of greatness as a tragic painter only through a free, uncondescending use of motifs from George Herriman's great strip Krazy Kat and the underground comics of Robert Crumb. Nor can MOMA be accused of pandering to mass taste by exhibiting old comic strips, since what mass taste really likes these days is Van Gogh and Picasso...
...real thing check geo herriman s 20s illustrations which seemed to sing hello dali or miro miro on the wall
PAUL KRASSNER, in his introduction to this book, terms Crumb "the illegitimate offspring of Krazy Kat." George Herriman's great comic strip of the twenties wasn't centered around a philosophy of life, either. Its fantasy world was akin to Crumb's: the hopeless romantic (Krazy Kat), the skeptic who rejects her love (Ignatz Mouse), and, above both, the defender of society and justice (Offisa...
...drawing style of "Head Comix" is much more polished than that of "Krazy Kat," though. While Herriman's characters were often somewhat shakily drawn, Crumb's drawings are all well finished products. The style of the strips is a combination of the old Disney style (you may begin counting of the fingers), Herriman's style in "Krazy Kat," Popeye, the old Looney Tunes, Smokey Stover, and Crumb's own additions...
During all the years of solemnity, one strip provided an antidote of sophisticated wit, and all the modern humor strips are in its debt. George Herriman's Krazy Kat, which ran from 1910 until its creator's death in 1944, rarely strayed from the established routine: Krazy, a thwarted idealist like Charlie Brown, loves the mouse Ignatz, but Ignatz is so incensed at this unnatural love from a cat that he hurls a brick at her; whereupon he is carted off to jail by the guardian of law and order, Offissa Pupp. Herriman injected so much poetry into...