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...California) and began working in color, making films that didn't even mention atomic testing and found their sources in myth or literature. Ray was on a roll, making money with his new color process (Dynamation) and paired with the greatest film composer who ever raised a baton, Bernard Herrmann. First came "The Seventh Voyage of Sinbad," followed by "The Three Worlds of Gulliver," then "Mysterious Island," and finally the stop-frame masterpiece, "Jason and the Argonauts...

Author: /time Magazine | Title: Monkey On My Back | 3/9/2001 | See Source »

...Steiner GEORGE KARGER/TIMEPIX Watching what Steiner did in "Kong" expanded my appreciation of all film scores, an appreciation I've never lost, and for which I am appropriately grateful. The rich scoring of Kong set me up for Bernard Herrmann a couple years later, when I finally caught up with "Citizen Kane...

Author: /time Magazine | Title: Monkey On My Back | 3/9/2001 | See Source »

...Third row seat, right in the middle, the huge Zeigfeld Theater on 54th Street. It's the premiere of the restored "Vertigo" and Kim Novak is sitting about ten seats away. Sonic Youth is there - I talk to Thurston Moore about Bernard Herrmann. The ecstatic moment: Judy walks out of the bathroom, bathed in green light, the French-curl hair style finally in place and Madeline's reincarnation complete. Herrmann's score swells...

Author: /time Magazine | Title: The Obsessionist | 10/13/2000 | See Source »

...Andrew Herrmann '82, a Cambridge resident, said the selection of stores in the Square has definitely changed since his days at Harvard as students' interests have evolved...

Author: By Kirsten G. Studlien, | Title: Big Names Leave No Space for Mom and Pop | 9/13/1999 | See Source »

...know that overall it's changed for the worse. It's kind of fashionable to say that. The sad thing is that it's not really a college town anymore," Herrmann says...

Author: By Kirsten G. Studlien, CRIMSON STAFF WRITERS | Title: THE SQUARE DEAL | 6/10/1999 | See Source »

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