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...months ago the city government voted $10,000 for five popular-priced concerts, picked as conductor reliable old Alfred Hertz, who was ousted from his Symphony job five years ago when Dobrowen was engaged. Last week San Franciscans again rose to the occasion, voted $3,000-to-47,000 for a symphony subsidy expected to yield $35,000 a year. To be raised by a tax of ½% per $100 of assessed property, the subsidy will be administered by the City Art Commission and the Musical Association. The Association will provide $35,000 more to guarantee at least...

Author: /time Magazine | Title: Music: Season's End | 5/13/1935 | See Source »

Tomorrow's Harvest (by Hans Rastede & Hyman Adler; Douglas G. Hertz, producer). By means of a weak heart Papa Goerlich, a fireside Hitler, tyrannizes over his cowed German-American family. Nothing must be done to excite him for fear the result might be fatal. It takes Papa Goerlich an unconscionable amount of time to die but he finally does. Tomorrow's Harvest falters on for another act, then it does...

Author: /time Magazine | Title: The Theatre: New Plays in Manhattan: Dec. 17, 1934 | 12/17/1934 | See Source »

Instead of an Italian melodrama crammed with deaths, the San Francisco opera opened with Smetana's folksy Bartered Bride. Soprano Elisabeth Rethberg sang clearly and cavorted like any plump Czech peasant girl. In the pit was bald old Alfred Hertz who conducted The Bartered Bride at Manhattan's Metropolitan Opera House before he went West to take over the San Francisco Symphony...

Author: /time Magazine | Title: Music: In San Francisco | 11/26/1934 | See Source »

...Hertz lost his Symphony job in 1930 when fashionable gentiles had their own ideas about the San Francisco orchestra. But Hertz liked the cool, moist San Francisco climate, liked his San Francisco home overlooking the Pacific and in San Francisco he remained. San Franciscans generally came to realize that he was as fine a German conductor as they had ever known...

Author: /time Magazine | Title: Music: In San Francisco | 11/26/1934 | See Source »

...Alfred Hertz gave Impresario Gaetano Merola good cause last week to worry over his budget. For years the San Francisco Opera ran no deficit. Last season there was one of some $30,000. Merola often undertakes a performance with next to no rehearsals; Hertz demands many. But as the solid old German stood in the pit last week, sweat gleaming from his bald pate, his beard pointing eagerly toward the stage. San Franciscans forgot all about dollars and deficits in the fine sweep of his orchestral performance...

Author: /time Magazine | Title: Music: In San Francisco | 11/26/1934 | See Source »

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