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...Conductor Toscanini hopped spryly down from the podium, the whole house was on its feet screaming "viva il maestro;" cried one voice, "Non c'e che lui" (he's in a class by himself). For 19 minutes the bedlam continued; the soloists (two of whom, Soprano Herva Nelli and Baritone Frank Guarrera, Metropolitan audition winner, had been brought from the U.S. by Toscanini) took 32 curtain calls. The maestro himself took twelve, at first grinning shyly, then broadly...

Author: /time Magazine | Title: Music: Paid in Full | 6/21/1948 | See Source »

...Verdi above all other composers. For the past two months he has been teaching Verdi's score to his soloists. In his long, low-ceiling dressing room on the eighth floor of the RCA Building, he has sat at the piano, croaking and gesticulating at red-haired Soprano Herva Nelli, while a picture of Verdi stared at her from the piano's littered top. "Nelli," he pleaded, "please do use the expression on your face that you feel in the music. That will bring out the words and the music too." It was an old insistence...

Author: /time Magazine | Title: Music: The Perfectionist | 4/26/1948 | See Source »

...them relentlessly in his dressing room, accompanying them on the piano himself. There were few big bright names in his cast-he preferred to use singers he could mold in his own way: stressing first expressiveness, then diction, and lastly voice. He had heard the Philadelphia La Scala Soprano Herva Nelli sing last summer, and announced, "This is Desdemona." She told him she had never sung the role. Toscanini snapped: "Good. I'll teach you myself." He drilled the Metropolitan's brilliant new baritone, Giuseppe Valdengo (a graduate of the New York City Opera Co.), for two hours...

Author: /time Magazine | Title: Music: Toscanini's Triumph | 12/15/1947 | See Source »

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