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Barry Goldwater's chief speechwriter, Karl Hess, wrote in the August 1968 issue of Ramparts . "What first attracted me to the Left was the familiar ring of what was being said there. Decentralization. The return to the people of real political power-of all power." The more Hess saw of the left, the more he liked it, eventually leaving the libertarian right to become an anarcho-syndicalist...

Author: By Mark C. Frazier, | Title: Anarchism: Revolutionizing the Right | 3/12/1971 | See Source »

...From the outset it was apparent to them that the tone of the convention would not be one of libertarianism-of the 12 speakers scheduled, none was libertarian. The Caucus decided to hold a "mini-convention" of its own on the night of the opening ceremonies and invited Karl Hess to speak...

Author: By Mark C. Frazier, | Title: Anarchism: Revolutionizing the Right | 3/12/1971 | See Source »

...Reading & Bates 9⅝ 28 190.9 Checker Motors Corp. 10¾ 29 169.8 Santa Fe International 13 27⅝ 112.5 Philips Industries, Inc. 8 14⅞ 85.9 Redman Industries Inc. 11¾ 21⅝ 84.0 Pacific Petroleums 15¼ 27⅜ 79.5 Amerada Hess Corp. 20½ 36⅛ 76.2 Great Western Financial 12¼ 21½ 75.5 Imperial Corp. of America 7⅛ 12½ 75.4 Belco Petroleum Corp. 10½ 18⅜ 75.0 Gibraltar Financial of Calif. 11¾ 20⅜ 73.4 Xtra Inc. 13⅜ 22⅜ 67.3 Loew's Theaters...

Author: /time Magazine | Title: Business: Summer Market Winners | 9/21/1970 | See Source »

Four years ago, Speer was released from Spandau, where only Rudolf Hess remains. Now 65, he lives in Heidelberg, a nearly forgotten figure who works as a management consultant and relaxes by walking in the country. When he writes that he will never be rid of his sin, he convinces, partly because he now has little to gain by such an admission. Speer is right when he says, "no apologies are possible...

Author: /time Magazine | Title: Books: Mephistopheles Remembered | 9/7/1970 | See Source »

...cannot remember the melody. The Card Song is swallowed by a monstrous Dies Irae, and everything ignites into a Moog-synthesized musical holocaust. The montage of electronic sound forms a requiem on the word "love," with tunes and characters zooming by like meteoric memories. After a final shriek, only Hess's voice remains, sadly singing: "That's how it is, that's how it will be -and how it must have been...

Author: /time Magazine | Title: Music: Women's Lib Carmen | 8/17/1970 | See Source »

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