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Director Silver (Hester Street) is a bit studied and schematic in her juxtaposition of scenes, but she is attuned to the hip, offhand humor of the Mainline's newsroom. In one sequence, a bearded interloper hurls a typewriter to the floor in a self-styled act of conceptual art, only to have a group of staffers top him by smashing up the office and punching a hole in the wall...

Author: /time Magazine | Title: Cinema: Counterculture Variations | 5/9/1977 | See Source »

...century since one act of illicit sex led the heroine to pregnancy. Here, when Ida is raped by a homesick German soldier, little blue-eyed Giuseppe appears promptly nine months later. In bygone books, the children of such misalliances were frequently provided with preternatural or otherwise spooky talents. Hester Prynne, for example, was unsettled by the prescience of her illegitimate daughter Pearl in The Scarlet Letter. Similarly, Ida frets naively about Giuseppe's intense otherworldliness. Morante's symbolism is rarely more modern than the 19th century. Ida's greatest fear is that people will learn...

Author: /time Magazine | Title: Books: The Powers and the Powerless | 5/2/1977 | See Source »

...Hester Street...

Author: NO WRITER ATTRIBUTED | Title: Movie listings for the week | 10/28/1976 | See Source »

Then there was the private bill for Mrs. Camilla Hester of Foley, Ala. She is a widow who has been unjustly denied a federal pension because of legal complexities. The bill contained a couple of quirks that would establish bad pension precedents. The President felt compelled to reject it with his 61st veto. Mrs. Hester, who has been leaning toward Ford in this campaign, allowed as how she was "disappointed." She seemed understanding. But who knows how Mrs. Hester and her family will vote...

Author: /time Magazine | Title: THE PRESIDENCY by HUGH SIDEY: No Place for a Man to Hide | 10/25/1976 | See Source »

...Most prominently, the program offers two splendid performances. In Bernice Bobs Her Hair, Shelley Duvall brings a graceful vulnerability and unguarded beauty to the role of an ugly-duckling adolescent who is first encouraged in social flirtations, then undone by an attractive, more popular cousin. Director Joan Micklin Silver (Hester Street) misses the stronger undercurrents of F. Scott Fitzgerald's original story, just as Novice Director Peter Werner is defeated by the portentous gothic glooms of the Joyce Carol Gates story he adapted, In the Region of Ice. Actress Fionnuala Flanagan, though, finds just the right portions of grave...

Author: /time Magazine | Title: Cinema: More a Famine than a Festival | 10/25/1976 | See Source »

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