Word: hettie
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...stars would seem to be aligned for Aboriginal art. Yunupingu was one of eight indigenous Australian artists invited to create work for the museum-not to hang on its walls, but rather to be woven through the fabric of Jean Nouvel's visionary architecture. For indigenous art curators Hetti Perkins and Brenda Croft, it was a chance to define something that has remained by its very essence indefinable...
...little as $A40,000 - roughly the price of an off-road vehicle or a good Papunya Tula painting - nursing overheads and the need for water filters make it an expensive item in the desert. But, circulated among a group of well-connected Papunya Tula supporters, from AGNSW curator Hetti Perkins to Tim Kingender, the Aboriginal art specialist at Sotheby's auction house, the idea took hold. In late '98, with "Genesis and Genius" just over a year away from opening, Kingender recalls Toyne phoning him: "I said, 'O.K., if I make the money, you make it happen...
...appropriate that a movement which, as curator Hetti Perkins puts it, "morphed from rock walls to gallery walls," should have begun in and around Maningrida, "the place where the Dreaming changed shape." Less than 150 km west, at Oenpelli/Kunbarlanja, in 1912, anthropologist Baldwin Spencer first encouraged Aborigines to put their rock designs on bark in exchange for tobacco. It would be a further 50 years before the Kuninjku language group began to gather at Maningrida settlement. Here a young John Mawurndjul was treated for leprosy, and in 1963, with the Maningrida Social Club, a fledgling art industry began...
...challenge for curators with their fragile ochers and buckling frames, barks are impossible to restrain, and it's to her credit that Hetti Perkins has liberated many in the show from their 20th century backing boards. It's the perfect medium for the constantly metamorphosing creatures that inhabit them, from yawkyawk mermaid spirits to the rainbow serpent, Ngalyod. Indeed, so warped is the bark of James Iyuna's 2002 serpent that it threatens to lift off the wall. But what is a nightmare for conservators is a thrill for spectators...
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