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...that because of his saturnine poker face, and it would appear that his more vivacious daughter has inherited something of that same crocodilian countenance, if one might judge from some of her expressions while addressing a golf ball. There was never a more machinelike player than Lacoste in his heyday. He won so consistently because his ground-strokes could not be faulted; and he was a past master of that now neglected piece of tennis finesse, the lob. His teammates, Cochet, with his half-volley, and Borotra, with his catlike ballet at the net, were the crowd-pleasers, not Lacoste...

Author: /time Magazine | Title: Letters: Sep. 15, 1967 | 9/15/1967 | See Source »

...tend to become more Irish than the Irish. The taxi driver who took Pritchett to his first hotel was full of "bedads" and "begobs," but turned out to be a cockney. Ironically, the great buildings of this attractive city were erected by the Anglo-Irish in their 18th century heyday; fortunately, they escaped disfiguration during the 19th century industrial revolution that blighted England's cities but bypassed Ireland, in part because of its disastrous famines, in part because of its own preoccupation with its more romantic national affairs. The Bank of Ireland (once the Irish Parliament), the Four Courts...

Author: /time Magazine | Title: Books: Soul of a City | 8/25/1967 | See Source »

During his heyday, art experts generally dismissed Erté's chaste variety of Beardsleyish Orientalism as an evanescent fad, like mah-jongg or the Charleston. Almost alone, French Critic Maurice Feuillet in 1929 hailed him as "a harbinger of the art of tomorrow, a prince of fantasy, a magician of conception." Feuillet may have been close to the truth. Last month, when Manhattan's Grosvenor Gallery put on display 179 early gouache and metallic-paint designs by Erté, the entire collection was snapped up by the Metropolitan Museum of Art. The gallery has since been selling Erte...

Author: /time Magazine | Title: Illustrators: Harbinger of Tomorrow | 7/7/1967 | See Source »

...even a group of painters in their 30s and 40s who throw together unsocialist images just because they feel like it. The Western world sees precious little of their work, for the Moscow Union of Soviet Artists is dominated by middle-aged academicians who learned their trade in the heyday of Stalinist realism. Their ponderous paeans to Lenin and heroic bobbin tenders go into official displays such as the Venice Biennale and Expo 67. Only an occasional private exhibition affords Westerners a glimpse behind the red-tape curtain. One such view is offered by the new display of Russian painting...

Author: /time Magazine | Title: Painting: Unrealism in Moscow | 6/30/1967 | See Source »

During its 13th century heyday as a Mediterranean trading power, Genoa came to be known as "La Superba" -which, since it can be taken to mean "the haughty," was not necessarily a compliment. Still, the appellation was particularly apt for Genoa's business men, a tightfisted, close-knit breed that ranked among the world's most con servative. Interested only in sure things, they earned a lasting distinction by re fusing to stake a local boy named Chris topher Columbus to a daring expedition...

Author: /time Magazine | Title: Italy: Stirrings in La Superbo | 3/24/1967 | See Source »

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