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Rotten, wasn't it? People did what they were supposed to do, not what they deeply, truly needed to. It was a time of confinement: those wire bras were a chastity belt for bosoms. Haircuts were part of the hypocrisy--boys couldn't hide their ears, but they could, had to, suppress their liveliest instincts. It was the long night of the living dead...

Author: /time Magazine | Title: Cinema: Shading the Past | 10/26/1998 | See Source »

...reduce these hate crimes from happening" is not for homosexuals to hide "behind closed doors," but through education and awareness. No matter how "morally reprehensible and wrong" certain people perceive homosexuality to be, all Americans, whether gay, straight or bisexual, are entitled to equal protection, freedom of expression and a life without discrimination. ALEXIS J. LOEB...

Author: NO WRITER ATTRIBUTED | Title: Letters | 10/23/1998 | See Source »

...also, bridging the line between arrogance and confidence. Ultimately, this play is me and Sara--we're putting ourselves very much on the line as well. Having a space like the Kronauer, you really can't hide anything...We have to have confidence that what we're doing is good work and will be well-received...

Author: By Glenn A. Reisch, CONTRIBUTING WRITER | Title: `Shades of Blue': Credit Where Due | 10/23/1998 | See Source »

...favorite of the church's conservative branch, the wartime Pontiff has been sharply criticized both by Jewish leaders and church liberals for his refusal to publicly condemn the Nazis, a "silence" that some suggest may have cost untold Jewish lives. Pius' defenders reply heatedly that his efforts to hide Jews in Italy and elsewhere saved thousands. More important, they insist that silence was the best policy--and here Pius' story intersects Stein's. According to Gumpel, Pius was about to issue his own four-page protest against the Jews' deportation when he got word of the Nazis' response...

Author: /time Magazine | Title: A Martyr--but Whose? | 10/19/1998 | See Source »

...Joshua, played by a scrawny charismatic named Saul Williams; and the film, Slam, arrives in theaters laden with laurels from Sundance and Cannes. Burdened, really, for this is a small movie, as vulnerable as it is volatile, about young black men in trouble. Its underworldly corrosiveness can't hide a heart full of hope...

Author: /time Magazine | Title: Cinema: A Poet in the Pokey | 10/19/1998 | See Source »

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