Word: hideo
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...Ichise can take much of the credit for this breakthrough. Returning to Japan in 1997 after a stint in Hollywood, he discovered a clique of talented young directors, including Ringu's Hideo Nakata and Ju-on's Takashi Shimizu, absorbed with making straight-to-video ghost stories. Working with budgets of about $10,000 per one-hour segment forced Asian horror's avant-gardists to rely on suspense instead of special effects. "With horror, bigger budgets don't necessarily mean better movies," says Ichise. "This group was making terrifying stuff on a shoestring. The Asian horror-movie boom that everybody...
...opened in New York City and Los Angeles and spreads to a dozen cities next month. Soon we'll see an assault of Hollywood remakes of Japanese horror films. The Ring 2, a sequel to the 2002 Naomi Watts thriller that grossed $230 million worldwide, is being directed by Hideo Nakata, who helmed the original Japanese film version. A remake of Nakata's Dark Water, about a woman and her daughter drowning in sorrow and fear, will star Jennifer Connelly; Mechanic is the producer, and Walter Salles (Central Station) is the director. And Ju-on, Japan's top fright franchise...
...year before The Sixth Sense, that Ringu (The Ring) became an Asia-wide smash. Hideo Nakata's movie had a surefire opening (a killer videocassette) and a double climax (our heroine confronts death down a well, and then her boyfriend is murdered when the dead girl in the video crawls out of a TV set). But Nakata, like all good dread auteurs, did more. He created a mood that informed every scene and adhered to the viewer long after the film ended...
...HIDEO NAKATA by Richard Corliss...
Most horror movies live and gruesomely die in the moment: the splattered head or severed limb gives viewers a quick thrill or a giggle, a jolt to the nervous system, that lingers no longer than a shiver. The films of Japanese director Hideo Nakata--The Ring (1998), Ring 2 (1999), Chaos (1999) and Dark Water (2002)--take a subtler route to spooking audiences. In his thrillers, Nakata concentrates less on the explosion of the time bomb than on the ticking inside it: abstract images on a videotape, an aquarium tank full of dead fish, a water stain spreading...