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...only when the crass, nationalistic realism of today is firmly borne in mind can contemporary dilemmas be understood. It is a mistake to look for idealism as a motive in the world of today, and it is a hideous blunder to let idealism put America in the role of the avenging angel. The bases of wars may be economic, but the consent of the people is won only through appeals to their souls. America must not misread the facts and yield to that common hallucination, the call of destiny. Otherwise this country is likely to undertake another Crusade for Peace...

Author: NO WRITER ATTRIBUTED | Title: SAINTED SINNERS AND HYSTERICAL HEROES | 11/19/1935 | See Source »

...heavy log-rolling that went on before Swann's Way appeared, in order to insure it a good press, Proust's anxiety about the reception of his work. Proust died in agony almost as soon as his masterpiece was finished, and in his delirium imagined that a hideous fat woman, dressed in black, had appeared in his room...

Author: /time Magazine | Title: Books: Things Remembered | 11/4/1935 | See Source »

...this vision of loveliness. What was she doing here? Was she a part of the diabolical plot against Drummond or had she too been caught in this hideous trap? What was this mysterious engine of death? My heart stood still!" Next week, "East Lynn...

Author: NO WRITER ATTRIBUTED | Title: The Crime | 10/22/1935 | See Source »

...than 150 years before, Pompeo Leoni had numbered them. Some time in the 15 years after Mr. Dalton opened the chest, somebody cut out and presumably destroyed about 180 of the 779 drawings. One of these, it is known, was a picture of a handsome young man embracing a hideous crone. The surviving drawings include a superb series of anatomical studies of men, not one of a woman. Kenneth Clark indicates, does not say, that someone in the prudish, provincial court of George III found the 180 in bad taste...

Author: /time Magazine | Title: Art: King's Treasures | 6/10/1935 | See Source »

Ever since the Portuguese, Dutch and British first started raiding the jungles of West Africa for slaves to work their new colonies, the hideous gods and little demons of primitive Africa have been turning up as curios in the homelands of the traders. Not until shortly after the turn of the Century, when the founders of modern art loudly proclaimed their independence, was the artistic merit of these mementos of the slave trade generally appreciated. Young modernists like Jacob Epstein, Pablo Picasso, Amadeo Modigliani, were profoundly affected by West African sculpture. Today an African mask or two is as necessary...

Author: /time Magazine | Title: Art: Works of Fear | 4/1/1935 | See Source »

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